A Poet’s Affection


The phases of life, the marking of time;
I lived two weeks, four months,
six months before moving on.
There were no long-term relationships –
one night, maybe a week, perhaps two.

Love was too expensive for a traveler,
much too heavy to carry in a bag o

r box.
I put my days on paper, ending one story,
another poem filed away, me moving on.
There would always be another day,
another pretty face, a warm body
to hold through another cold night .
True love by the hour or day, I could afford that.

That’s what I thought at the time.

I sold my poems, sad stories, many years ago.
I didn’t sell them for money;
it was always a trade , a fair exchange I thought.
The perfect and ideal love
burning so bright, but not very long.

HELLO CANCER


LET’S DANCE!

Did you see sunset burn
throughout the sky,
a crimson crucifix
to portend my descent?
Think not.

Did you phrophecy
as your eyesight grew dim,
Should Odin awaken?
and heed your call?

Did you fantasize a charm
to neuter the savage beast
while you stood chained at the feasting hour in man-made frocks?

What? That bear and wolf
would lay at your bound feet
their teeth and claws?

Did your faith waiver, yet fail
¹as your heartbeat froze
begging faint dawn to execute
it’s icy thaw?

Did you spit your prayers
to four cornered winds,
to keep your faith fulfilled
whispered downward hallelujahs ?

And what of the Thunder God?
Did you bring gifts enough
to move his hand o’er his fleet
calming seas, bloodied seas
that you might retreat?

Oh precious.faithful servant, come!
God’s are moved, your battle’s won!
Tears of Love now wash you clean!
no battles here left chance
Let’s pray the tumors gone!

Dennis on Dextramethasone @dlmchale

Soooooo:
– let’s dance!
Put on your red shoes
and dance the blues.
lets dance!

CRY OUT TO THE HEAVENS



by D.L.McHale, Sept., 2021

i.

Two sparrows
beneath the hand
of fate –
does the omniscient eye
behold need
or does it blink
and look away?

ii.

Life offers choices…
to accept the solace of belief
in a benevolence
that oversees;
or to know the loneliness
of your singularity
in a vast universe.

iii.

A guiding hand
that shelters,
that traces a path to follow
is security;
yet the soul is strong
who charts his own course
through infinity.

iv.

Cry out to the heavens
and listen long
for an answer
that does not come…

except in the heart
of the believer

ILLUMINATION by D.L.McHale


We always sleep with curtains drawn,
in the soft blue light of morning,I rise and pull the black velvet tight.

You stirred, then stretch your hand back to my thigh
our bed a ship in sleep’s doubled plunging
wave upon wave, until as though a lighthouse
beam had crossed the room: the crystal vase between
the windows suddenly ablaze, a spirit,
seized, inside its amethyst blue gaze.
What’s that? you whisper. A slip of light, untamed,
had turned the vase into a crystal ball,
whose blue eye looked back at us, amazed, two
sleepers startled in each other’s arms,
while day lapped at night’s extinguished edge,
adrift between the past and future tense,
a blue moon for an instant caught in its chipped
sapphire—love enduring, give or take.

The Gray by D.L.McHale


8_jpg_CROP_original-original
Painting by Richard Tauschman, 2015 ©

Again the dawn is drawn as gray
amidst design of dream.
That is to say the wall’s become
more ashes than of cream.

Request, I did, a paint’s renew
to warm a darkened room,
entrusted monetarily
for light to thrill the doom.Perhaps designer’s relevé
became black’s dance with white,
a while to beam my dream of cream
into a fainted night.

And so it is this mix, this stain,
awakens dawn’s portray
and sends, as if the heart of Man
to gray… to gray… to gray…

THROUGH A LOOKING GLASS DARKLY


I grew up in Wonderland. I can say this now, after having lived and died a little in some of the ugliest cities. Brevard, NC is an impossible town, and it should have died like it did every night at 9 PM when the traffic lights down town went off duty and reverted to four-way flashers. It should have hemorrhaged to death when so many of us left it, bleeding.

Life after Brevard consisted of marrying your high school sweetie, snagging a second shift job at Du Pont or Olin with the right influence, and hopefully, getting a double wide so say, in ten years and with a lot of overtime, you’d get a real home one day. Or you could get out, go to college, find a decent job never once thinking of the wounds or how inane it was, back then.

Exactly an hour later almost as an addendum, the one TV channel with consistent reception reminded our parents it was 11 o’ clock, and somehow, as if it were possible, not knowing where we were was the last thing they heard, the constant back question: Do you know where your children are?

Yes, we were cuturally deprived. The population inside city limits strained to top 5500. You knew everyone and everyone knew you, and even if you did not comprehend it, there was security in this, and a little resentment at not being able to live so unanonymously. The lone radio station was AM, and on week nights, the melodious voice of John Anderson brought us serenely to “the close of another broadcast day”, promptly at 10 PM and the strains of his voice were the last heard of the day for many of us.

You waited on everything in Brevard, and you waited for Brevard to catch up to the rest of the world, but it could not, and you knew it.

Mustangs, Barracudas, Chevelles, Impalas- all those horses and nowhere to run- the dichotomy of excess speed in a town that prided itself, almost to the point of codification, on operating at the pace of thickening molasses.

Go ahead and laugh at this, but on Friday nights in summer, the parking lot which now comprises Princess Plaza was cordoned off for square dancing. Do-se do, I kid you not. The whole town turned out. You slapped your face with Canoe or English Leather, slick in your favorite jeans, leaning against -something-until you found the courage or waited for the competition to die down so you could sidle up to Anne or Beth or Cindy or Marsha and ask for this next round?

You could not help but worry just a little because what if the Hokey Pokey really IS what its all about? How would you know? Left foot in, do-se-do.

Maybe you’d get lucky. Maybe a friend shared a can of beer with you, fresh from a “run” to Hendersonville. Not enough so you could feel it, but enough to leave a taste in your mouth for more, and enough to taint your breath and enhance your image. Image was all we had at times.

The bowling alley was the hottest place in town, except of course for Hardee’s. Before everything and after everything, there was Hardee’s. The simplicity of it was its appeal: you want to be found, go to Hardee’s. There you’d catch a glimpse of a wild Mustang perhaps, or split an order of fries. Even the cops had names like “Elvis” and “Tinker” and most of the time, they’d be hanging too, only parked conspicuously in the center of the lot with the window down.

Paegentry and dances were relegated to the American Legion, and we cut up, showed off, smoked an joked under the ancient machinery of a WWII anti aircraft gun whose trajectory would have placed a round about three feet over the court house and made impact say, close to Wal Mart, windage and elevation being considered.

To the students at Brevard College we were “townies”; to the tourists we were “hicks”. Always, there was this battle for our own town. Some of us fought it while others hung back considering Brevard not worth an ass kicking. But we shared a common perplexity, and try as we might, could never grasp the concept of driving 100 or maybe 150 miles just to look at LEAVES. White squirrels were common as mud, and any kid who had his driver’s license over 60 days knew every waterfall within 30 miles by rote.
.
As inevitable as daffodils in spring were the well-intended young women who arrived from UNC-Asheville. I never asked, but there had to be some deep spiritual power that propelled them onto the capstone of the court house retaining wall to save our dying town.

This was done usually at the top of their rather expanded lungs and usually, when mixed with the background of traffic, was for the most part unintelligble. But you learned to read their faces and even if you missed your appointed hour, you knew something serious was going on, and that there would surely be a next time.

“The City On The Hill” has been euphemised since the time of the ancients. In the Bible, it signifys both strength and depravity. Nostradamus saw it over and over and over. Those few of us fortunate enough to have lived there knew its pinnacle conjoined at the corner of Main and Jail House Hill, precisely where the wisewomen from Asheville stood.

They call Rome the Eternal City. I argue with history from time to time.
If you lived this Brevard, you know it like you knew your first kiss, you know it now with your eyes closed, it has always been. It resides on tongue- tip like the good news ready to spring forth across the land, it is deeper than skin, a fabric of which a part of you is indelibly woven.

My best years. Wonderland and “The Last Picture Show” with a Buck Owens twist. Red pill or blue, it is waiting for you.

OCEAN SONG


I.
Sitting on the bay,
watching the ships go by;
Where they are headed,
I don’t know, yet
my soul yearns to be
likewise swept away
with the outgoing tide,
the undulating waves.
beneath blustery clouds.

Let the extended bellies
of white sails carry me
across new horizons
beneath the crested waves,
where the mermaids sing
sweet siren chants of,

“Come with me. Come with me!”

The baritone bellow of a ship’s horn
blasts out:

“Come with me, Come with me!”

II.
Icy winds caress my weathered face,
each wizened line
etched like a nautical map,
soulfully directing me
toward tomorrow’s fortunes.
The salted air fills my aching lungs
with a hope I have not known
since childhood.

In my shoreline reverie,
I am carried across
blue-green oceans
kissing distant coastlines.

“Turn, screws, turn,” 

let the waters churn
beneath your tired
and weathered hull.
But do not leave me
dry standing here.

III.
I yearn to drink, to be filled full
with the white foam of stormy seas
beneath a blanket
of heavenly constellations.
I do not care today
for tomorrow’s sorrows
so long as I can castaway
in the iron belly
of a eastward steaming long boat.

IV.
I am now lost in the maelstrom of
what is and what is not. Indifference
upon these sandy shores, and my eyes
are filled with the tears of a sailor’s regret
for having missed the outward tides.

“Carry me out.  Carry me out!”

and let the fish one day
dine upon my happy bones

CONSUMED


what have you wrought?

a smothering solitude
this insidious darkness
as thoughts creep.

(once we savored innocence,
virginal and childlike),

     but your heart soured.
a dark vision of pain –
drop
     of
     blood
           follow bitterness,
follow pain,

once consumed, love bled dry.

in a haze of eternal stillness
i still love you.

LEADING WITH HOPE: NAVIGATING TURBULENCE DURING THE COVID-19 PANDEMIC


By Dennis McHale, April 27, 2020

We are in times of extraordinary uncertainty, danger, and complexity. Leadership is critical. Strong leadership will be revealed through behavior, communication, and outcomes.

Hope is essential and is based on trust. Trust comes from consistent truth-telling, clarity, and consistency of messaging.  We must have regular updates based on actual results with associated learning and improved thinking.

Political posturing and personal omniscience are woefully insufficient due to the complexity of factors, stakeholders, and inter-dependencies.

At this critical juncture in combating a pandemic,  we require a steady hand on the tiller who creates and embraces both science and an open learning team of leaders and experts that value informed dissent and respectful debate to avoid the trap of narrow defensive control of information.

Value dissent – Listen – Challenge – Learn

Haiku Chainstream


angry thunderstorms
across deep blue ocean swells
star-kissed explosions

star-kissed explosions
lover’s passion-clenched eyelids
soon sleep descending

soon sleep descending
life demands its sacrifice
death a bitter toll

death a bitter toll
human souls ascend the scale
stars suddenly aglow

stars suddenly aglow
midnight meadows bathed in light
winds begin to blow

winds begin to blow
softly swaying, children dance
to music unheard

to music unheard
new life from true love formed
the world rejoices

the world rejoices
eagles screech their summer songs
eyes glancing upward

eyes glancing upward
a silent voice offers prayer
clouds begin to weep

clouds begin to weep
lashing rains, the voice of God
angry thunderstorms

The Holiness of Suffering


By Dennis McHale

I am not yet dead.

Do not call this a miracle or raise your hands in praise.
First, you should know how long I prayed, and how I came to know the silence of the Lord.

He does not arrive in a ball of light blinding on the road to Damascus. He comes in silence.

Lie there night after night and you will come to know the things I speak of.

My God speaks in the tongue of suffering.

I have survived, but do not call that brave.

I rattled this body from the inside out. There are those who dared get close to me who can testify. I could not find its latch. I would have escaped it if I could.

I say this to you because I know, you too have suffered — a body can be rummaged through like a medicine cabinet.

The flesh can be unfurled. Stitched, unbound, mended and stitched again.

Nothing is lost; nothing can be unmade.

But do not underestimate how hard it is to die and do not think death will save you.The dead have forgotten suffering.

Remember what I tell you here.

Remember how hard I held on. Remember the long nights I prayed.

Remember: whole days and nights I wandered outside myself. My body opened to wind and latched like a door against it.

There was pain in the opening and pain in the parts that healed.

Remember what I said of prayer: to house the soul in a body is a way of it.

Sometimes we suffer for one another. I am sorry for those who have suffered for me. But mostly, I am grateful.

If you like, we can call it holy.

SHE WILL COME


I’ve spent my nights in silent yearning
For a beautiful love that will not perish
And she who will soon come to me.

In the time of soft plum-blossoms
When the air is full of songbirds singing
And the sky is a delicate caress.

She will come!

With a mist of stars about her
And great beckoning plumes of smoke
Upon her leaping horses.

She will come!

And she will bend suddenly and clasp me; she will clutch me with fierce arms
And stab me with a kiss like a wound
That bleeds slowly.

She will come!

But though she will hurt me at first
In her strong gladness
She will soon soothe me gently
And cast upon me an unbreakable sleep.

Softly forever.

When will she come?

FIRST LOVE


by Dennis McHale

“Echoes Across Time”

She was my first love
Beautiful, tall and fragile
Everything I know of love
She taught me.

I lost myself within her
beauty and was too often
drunk with her laughter.
She loved me.

I dreamt of her nightly
and I awoke each day
with visions of her smile.
She held me.

We held hands and with
each touch, my knees went weak;
The essence of her
flowed through me like water.
She enchanted me.

Then one cruel day,
she left me.
No word, no reason, no clue.
I was lost and confused.
She hurt me.

IN THE DYING PETALS OF THE POET’S FLOWER


by Dennis McHale

“ECHOES ACROSS TIME” 2019

Past the tick-tick-tocking of the midnight hour,
Wrapped in sweat-stained cotton sheets,
Robbed of sleep and feeling sour
Like a muffled drum sounding nothing beats –
In the dying petals of the poet’s flower.

This syrup sleep removes the pain,
While dreams remain beyond my reach.
A whiskey slumber subdues the brain
While my toss-n-turn reveals a breach,
As time grinds on just the same.

I rise to write the poet’s dribble
And gorge upon liters of stale red wine.
Behold, my words, a bastard’s scribble!
Writ upon the passage of borrowed time.
Each tick, each tock, from my life is nibbled

I cannot rest while my muse is clanging
Inside my head a poor man’s verse,
Nor can I stop the incessant banging
As my thirst for libations meets an empty purse!
These words are ripe for a morning hanging.

Upon the tick-tick-tocking of the morning hour,
Sweet sleep descends upon my brow.
Within my bed I hide and cower;
An ink-less pen is a horseless plough –
In the dying petals of the poet’s flower.

THIS IS HOW I START MY DAY


Insights and Observations: Critical Meditations by D. L. McHale

Coffee at dawn

 

 

 

 

 

 

This is how I start my days.

At four a.m. I awaken with a start. It isn’t that I wasn’t sleeping well, but this is my witching hour. The first five seconds is the hardest, as in my waking dream, I reach over to gaze upon my wife and instantly realize … she is no longer there. She will never be there again. It is a fleeting and aching “awakening”, but this, too, is part of my healing. The pain dissipates quickly, and I realize that one day I won’t even have this. It’s a cruel way to start each morning, but it is a new morning, and that’s what really matters, isn’t it?

I stretch deeply and take a moment to gaze out the window into the moon-drenched early morning darkness. I am in absolute awe at the beauty of its silence.  This…

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THE HANDS of the ARTIST


The hands of the Artist,
emissaries of the mind –
separate from all musing
and aspiration.

What can be imagined,
what must be created,
from the heart upward
flowing into thoughts
downward streaming
to hopeful, colored hands.

The hands of the Artist
makes visible the width,
and breadth and depth
of expressive imagination
while paint-stained fingers
creatively caress canvases,
illuminating and breathing life
into the visceral void.

What remains are not
the hands of the Artist.

What remains is enduring
grandeur and grace;
the blessing of the soul
the echoes of the heart,
a gift for future generations.

What remains is truth;
his inspired vision,
her lasting legacy.

THE LOST LITTLE GIRL


ALINA CHILD

The Lost Little Girl
Thrust into a bitter life,
Abandoned on a train
Is that little girl,
The girl, who never bothered,
Who only wanted love…
Her looks,
Her curls,
Her dress,
Her mess,
Her pimples,
Her dimples,
Lost is that avid child
A true Romani princess:
No Gypsy myth this.
She who had a dream,
She never bothered what the world said,
She who walks with a high head,
She who never let a tear drop for herself.
She whose glittering eyes once housed joy .
I am sure,
deep inside,
she is still alive,
and, to discover her,
into myself.
I will dive,
I will let the veil be lifted,
And, let her breathe in the open air.
She will be reborn,
she will live fearless,
she will live a life of dignity,
respect and honesty.

HAIKU CHAINSTREAM


haiku_symbolfb

angry thunderstorms
across deep blue ocean swells
star-kissed explosions

star-kissed explosions
lover’s passion-clenched eyelids
soon sleep descending

soon sleep descending
life demands its sacrifice
death a bitter toll

death a bitter toll
human souls ascend the scale
stars suddenly aglow

stars sudden aglow
midnight meadows bathed in light
winds begin to blow

winds begin to blow
softly swaying, children dance
to music unheard

to music unheard
new life from true love formed
the world rejoices

the world rejoices
eagles screech their summer songs
eyes glancing upward

eyes glancing upward
a silent voice offers prayer
clouds begin to weep

clouds begin to weep
lashing rains, the voice of God
angry thunderstorms

A CARNAL CONVERSATION


Butterfly

Like a butterfly, obsessively fluttering in my mind:
Open-winged and delicately perched within
her soft pudenda; smiles in kind
dripping dew, and all for the want of a kiss.

She is…vinegar and vanilla, vaseline and vagina.
breathing the soft whisper of invitation.
I am a prisoner to her intelligence, her volition, her erudition.

She is a cascade of vulva vocabulary:
vibrant and vivid: the supreme vivisection of vacuous idolatry.
Her dictionary is a thrashing of vague innuendos;
and all meaning is encoded in the fluttering of her labial wings.

Splayed out on her gypsy brass bed, she calls to me
in wet words and moist verse:
songs sung in disdainful agitation – her cheeks,
red as those of Modigliani’s whores.

Teasing, she baffles me with the pink virtuosity
of her tongue and seductive mouth.
In vain, I reach out to the heat of inevitability,
the dark depths of her cavities.

It was she who devoured my strong ancestors:
she who left Christ crying and gasping for breath.
What hope then for me, with only my poet’s pen
and second-hand adjectives to protect me?

WATERCOLOR DAYS by Dennis McHale, 2017




centralparktwilight1

With the careful flick of her wrist

the sensual stroke of her brush

She gives us a watercolor day

Purple blue skies, a soft ochre sun,
Summer winds begin to sing
Blurred pink and white blossoms
Shady walks of lilac and henna
Far away jade and twilight green,

A loose balloon or two

Floating lazy and proud

Against titanium clouds

A water color day, quiet colors run
Run with water spilled edges
Revealing shadowing birds nesting

Amongst slender olive stems

Beside indigo blue streams
Moving slowly as the water blends
Wondering, dreaming, what to do

Splashing one color upon another
Within her watercolor day

THE BEAUTY WITHIN 


Beauty, I’m told
comes from within
From the depth of the heart, 
not from the skin
From fierce independence 
softened by grace
From the splendor of hope, 
not just the face

I didn’t see this coming, 
yet I accept it as true
I was seeking my equal 
the day I found you
When I look in your eyes, 
my heart is inspired
And I think to myself, 
“She is filled with such fire!”

I was captured by beauty, 
but I’m held by respect
For what makes you strong 
makes you perfect
I’d gift you my heart 
and my soul, if you please
If you walk by my side, 
not to follow or lead

Perhaps one day 
we’ll share deep love and desire
Built not upon beauty, 
but these strengths I admire

THE ARTIST AND THE ROCK by Dennis McHale, 2017


Love

This poem is dedicated to all members and artists of The Rock of Ages Consortium, for your love and support of fellow artists everywhere who we honor on this site by exhibiting their incredible works of “colour” online.

“I am a Rock! and yield to none!”
The swelling words of a tiny smooth stone,
“Neither time nor season can alter me;
I am abiding, while the ages flee.
The pelting hail and the drizzling rain
Have tried to soften me, long, in vain;
And the tender dew has sought to melt,
Or touch my heart; but it was not felt.
There’s none that can tell about my birth,
For I’m as old as the spinning earth.
Generations of man arise and pass
Out of the world, like the blades of grass;
And many a foot on me has trod,
That’s gone from sight, and under the sod!
I am a Rock! but who art thou,
Painting beneath the restless bough?”

The painter was shocked at this rude salute,
And lay for a moment abashed and mute;
She never before had been so near to here
A rock that spoke, this mundane sphere;
And she felt for a time at a loss to know
How to answer a thing so coarse and low.
But to give reproof of a nobler sort
Than the angry look, or the keen retort,
At length she said, in a gentle tone,
“Since it has happened that you were thrown
Into this river that’s become your home
From beneath this tree, as a child I grew,
Now listening to a stone, so hard and new.”

And so it shall be, this Rock that speaks to me,
I will cover it with paint, and then we’ll see,
And quickly adorn with the stroke of my brush
It’s time, it’s season, it’s storm, it’s touch,
Not the gentle dew, nor the grinding heel
Shall ever subdue, or make it feel
Abandoned, unloved, unwanted, alone
For I’ll paint this rock and take it home.
But soon, from this Rock, she sunk away
From the comfortless spot where the pebbles lay.

But it was not long before the soil broke
The artist sat once more ‘neath mighty oak!
And, as she painted and painted; the colors spread,
The Rock looked up, and wondering said,
“Modest artist!  Please, I shall never to tell
If you covered me in paint, this granite shell;
See the pride of the river has swallowed me.
Won’t you pick me up? Won’t you set me free?
Am I to meekly sink in the darksome earth,
Never to attain my potential, my worth!
And oh! how many more will tread on me,
While you sit and paint beneath this beautiful tree?
Your artistic vision towering towards the sky,
Can transform such a Rock as worthless as I!
Useless you release me, for centuries here,
I’ll be sitting in this riverbed from year to year.

But never, from this, shall a complaining word
From the painted Rock again be heard,
For the artist transformed it, without and within,
Gave it new purpose, and love again.
The Rock its vow she could never forget,
It lies brilliantly painted in painted silence yet.

THAT’S ALL THERE IS, I THINK…


Reflection

All I would want to hear is that you are in a good place.

That’s all there is, I think.

I want to hear that you like yourself more than you did all those moments when you told me we would never amount to anything.

I want to know that you’ve changed for the better, but not how, not why, or how much.

I want to know that someone loves you.

That’s all there is, I think.

I want to know that you wake up everyday looking forward to whatever it is you have in your heart.

I want to know just how far the painted golden path of your dreams have led you, just how much it is that you have sacrificed to gain something far worthier.

I want to know that the wind has blown away every piece of me that didn’t quite resonate within you.

I want to know that you are free now, washed clean from all of my lies, the dirty blood that flowed through your veins whenever you looked at me, the dirt on your knees every time you bent over with such compassion to tend to my own weakness.

I want to know that you’re still that kind of person who would never let anyone go home alone.

I want to know that you never have to look over your shoulder, worrying about those days when I would get into trouble and make you cry all over again.

I want to know if you still like french press and if your fingers still bear the same raised skin you got from working so hard to make us work, the same raised skin I held on to for so long.

I want to know if you still find the good in men; if your faith has reached an ultimate standard now that I’m out of the way, if your convictions have brought you home.

I want to know if everything that reminds you of me no longer hurts as much, if it hurts at all.

I want to know if you’re still the same person underneath the protective arms, the breath of calla lilies, those sleepy eyes that became sadder and sadder with each day that passed until the clock told you it was time to break my heart; until those same eyes decided they no longer wanted to see me at all.

All I would want to hear is that you are not the same person as the one I was fortunate to meet and love.

That’s all there is, I think.

The truth about Christmas


While a tad late seasonally, this posting by my good friend, blogger and author, Marie Marshall is an incredible read.  Please enjoy.  When you are finished, treat yourself to some of the best blogging on WordPress at her website: https://ladywotwrites.wordpress.com

Well, some of it anyway. I’m looking out on Christmas here in the UK. Most people celebrate it in some way or other, most people don’t work on the 25th, though some folk do – hospital staff, the em…

Source: The truth about Christmas

HEAVENLY SOJOURNER by D.L McHale


In the quiet spaces of my mind
there is  a softly sleeping figure
with the relaxed repose of an angel.

I kiss her cheek and lightly stroke her autumn hair
with a hope that she might slightly stir,
becoming minutely aware of my presence,
if only for an instant.

Heavenly sojourner, you are there in my dreams
laughing with me under the wild canopy of my fluctuating soul;
in between moments of consciousness
in between exhalations and eye-blinks.
I am caressed and buttressed
by the elegant strength of your tender spirit.

You are freedom after centuries of imprisonment.
You are a heavy rain after a cruel drought.
You bring the stars closer to my eyes.
You pull colorful spiral galaxies toward us
with your heart-bending gravity.

We explode like kaleidoscopic fireworks,
splattering a longstanding dream
across the churning night sky.
Refilling our palette of sensuality
with shattered rainbows.

We bend down to pick up the myriad jagged pieces,
our heartbeats bouncing again and again
to the hypnotic rhythm of evening descending;
our hands touching, our eyes devouring .

Our minds uniting, and our bodies shaking
as fiery desires are sporadically quenched
and rekindled, slowly dying down to embers
of nirvana whose warm afterglow
is eventually extinguished by the cool,
refreshing stream of our parallel thoughts
drifting weightlessly towards the sandy shores of eternity.