THE BEAUTY WITHIN 


Beauty, I’m told
comes from within
From the depth of the heart, 
not from the skin
From fierce independence 
softened by grace
From the splendor of hope, 
not just the face

I didn’t see this coming, 
yet I accept it as true
I was seeking my equal 
the day I found you
When I look in your eyes, 
my heart is inspired
And I think to myself, 
“She is filled with such fire!”

I was captured by beauty, 
but I’m held by respect
For what makes you strong 
makes you perfect
I’d gift you my heart 
and my soul, if you please
If you walk by my side, 
not to follow or lead

Perhaps one day 
we’ll share deep love and desire
Built not upon beauty, 
but these strengths I admire

THE ARTIST AND THE ROCK by Dennis McHale, 2017


Love

This poem is dedicated to all members and artists of The Rock of Ages Consortium, for your love and support of fellow artists everywhere who we honor on this site by exhibiting their incredible works of “colour” online.

“I am a Rock! and yield to none!”
The swelling words of a tiny smooth stone,
“Neither time nor season can alter me;
I am abiding, while the ages flee.
The pelting hail and the drizzling rain
Have tried to soften me, long, in vain;
And the tender dew has sought to melt,
Or touch my heart; but it was not felt.
There’s none that can tell about my birth,
For I’m as old as the spinning earth.
Generations of man arise and pass
Out of the world, like the blades of grass;
And many a foot on me has trod,
That’s gone from sight, and under the sod!
I am a Rock! but who art thou,
Painting beneath the restless bough?”

The painter was shocked at this rude salute,
And lay for a moment abashed and mute;
She never before had been so near to here
A rock that spoke, this mundane sphere;
And she felt for a time at a loss to know
How to answer a thing so coarse and low.
But to give reproof of a nobler sort
Than the angry look, or the keen retort,
At length she said, in a gentle tone,
“Since it has happened that you were thrown
Into this river that’s become your home
From beneath this tree, as a child I grew,
Now listening to a stone, so hard and new.”

And so it shall be, this Rock that speaks to me,
I will cover it with paint, and then we’ll see,
And quickly adorn with the stroke of my brush
It’s time, it’s season, it’s storm, it’s touch,
Not the gentle dew, nor the grinding heel
Shall ever subdue, or make it feel
Abandoned, unloved, unwanted, alone
For I’ll paint this rock and take it home.
But soon, from this Rock, she sunk away
From the comfortless spot where the pebbles lay.

But it was not long before the soil broke
The artist sat once more ‘neath mighty oak!
And, as she painted and painted; the colors spread,
The Rock looked up, and wondering said,
“Modest artist!  Please, I shall never to tell
If you covered me in paint, this granite shell;
See the pride of the river has swallowed me.
Won’t you pick me up? Won’t you set me free?
Am I to meekly sink in the darksome earth,
Never to attain my potential, my worth!
And oh! how many more will tread on me,
While you sit and paint beneath this beautiful tree?
Your artistic vision towering towards the sky,
Can transform such a Rock as worthless as I!
Useless you release me, for centuries here,
I’ll be sitting in this riverbed from year to year.

But never, from this, shall a complaining word
From the painted Rock again be heard,
For the artist transformed it, without and within,
Gave it new purpose, and love again.
The Rock its vow she could never forget,
It lies brilliantly painted in painted silence yet.

9 THINGS YOU CAN DO TO CHANGE THE WORLD by D.L.McHale


“Never underestimate the power of a small group of committed people to change the world. In fact, it is the only thing that ever has.” 
~ Margaret Mead

ONE:
Hold onto the faith that what you can do, and are willing to do, matters. Nothing matters more. You are not solely responsible for the solution. Bite off only as much as you can chew and trust that it will be enough to directly and indirectly feed a multitude of others.

TWO:
When you do pray, pray for purpose. I promise you, the answers will come.  They may not come in a way you were hoping, but they will come in a way that you need.  And you may not see that your prayer was answered until you look back one day and see how all the answers fell into perfect place.

THREE:
If you don’t do so already, make time to meditate. Oftentimes, we are so deafened by the noise of our own hectic lives and the demands pressed upon us that we drown out the quiet whisper within ourselves that reveals our inner compass, our hidden strengths, and our unique gifts.

FOUR:
Recognize that the person most in need of comfort and support may well, at times, be you. Allow others to do for you what you cannot in this moment do for yourself. In accepting love and care from another, you allow other individuals to fully actualize their humanity.

FIVE:
Empower yourself to change the world. Each of us, individually and magnificently, can do something by simply reaching out and offering the gift of comfort, assistance, and love for that one person who cries out in need.

SIX:
Practice mindfulness. Mindfulness involves our paying attention “on purpose” and in “this moment.” Marathons are more easily won if the runner can simply focus on putting one foot in front of the other repeatedly, and in equal measure. They are generally lost when all the runner can see is the 26 miles stretching ahead.

SEVEN:
Accept the reality that you are not powerless. You are infinitely powerful. The answers you so desperately seek are within you. But do not confuse power with purpose. Power is simply the fuel necessary to propel your purpose.

EIGHT:
Look to those closest to you in need. Discern what your “gift” is and extend it to others. Resist any temptation toward personal recognition or reward. Empowered individuals are in the business of sowing, not reaping.

NINE:
Believe that what you do not only matters, it is essential. It may seem like a small gesture to you, but you just might inspire another who then inspires another who then inspires another.

SECRETS by D.L.McHale


Should you desire to be hateful — to dissect an innocent heart from the inside, to bury a soul under its own weight, bind it in secrecy. Afflict it with a power it cannot share, knowledge it cannot teach, truth it cannot practice.

Secrets are dangerous not in being told, but in being kept.

What is locked in the heart is so vulnerable and precious; it is a force meant to be reflected upon, reconciled, and released. Perhaps some secrets are too burdensome to be unleashed in shameless entirety or in direct confidence, and those are scattered throughout time in legends, myths, in art and poetry; masterpieces littering each single experience with whispers and with shadows. The secrets and their fragments we may be blessed or cursed to encounter are not for us to harbor, but to share as we see fit:

When we share foolishly, they instruct us; when we share wisely, they enlighten others.

In life, we accumulate so many secrets — they settle under our skin. They imprison us in our own minds, trap us with our own wills. Sometimes such secrets efface our very desire to live, for being alive is no more than sharing secrets:

Taking them on and letting them go.

For those who are truly living, there is no such thing as a secret, for to hear a whisper is to be whispered oneself. Being alive is standing on an ocean shore listening to the tide or marking the centre of a gust of wind or smiling quietly at a stranger’s conversation or holding the unshed tears of a close friend, inhaling the hushed morsels of existence and inserting ourselves in their place.

When we do this, we take the wind and give to it our being, and thus the burden of being is lightened for all. We cannot hold secrets dear, we can only hold them in vain. We are merely vessels after all:

Filled so we may be emptied, emptied so we may be filled again.

 

 

SHE FILLED ME WITH A LASTING BREATH, by D.L.McHale


She whispered softly in my ear
such tender words to ease my pain;
soothing verse to calm my fears.
Though, she was gone when morning came,

The essence of her love remains!
Here even in my darkest hour
soft echoes of her song sustains,
which fills me with a lasting power.

Where has she gone? my life unwinds!
If I must die, I’m so resigned,
for dying unites and gently binds
my heart to hers, two souls entwined.

She filled me with a lasting breath;
Once more within my arms I hold
the height of love, its width, its breadth,
spanning dreams that now unfold

So cast me down into death’s abyss,
But allow once more her lips to kiss.
I shall not pray for more than this –
Once more I love…eternal bliss

IT IS THE SEASON by D.L.McHale


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“God talks in the trees.”
— Thomas Merton, The Sign of Jonas

It is the season of sleeping late 
while dreaming of red-orange trees 
shuddering in the evening breeze. 
These are the short days
when the thirst for warmth suborns desire 
and Eros kisses summer love goodnight.

It is the season of crimson sunsets 
pouring slowly, like thick molasses, 
over church steeples and frozen riverbeds. 
When snow-pregnant clouds float lazily 
across flower-less meadows
and lovers seek shelter beneath heavy quilts.

It is the season of naked trees, 
with branches like fingers extending 
toward the setting sun, tracing delicate arches 
across the rose autumn sky.
Those days when the blackbird flies southward
into the night beneath crystal constellations.

It is the season of surrender, 
when burdens, like the yellowing leaves, 
fall silently to the frozen earth
and tired bones warm themselves before tended fires.
It is the season of dying in the palm of God’s hand;
comforted in the knowledge of spring’s resurrection.

SNOQUALMIE FALLS by D.L.McHale


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Salish Lodge, Snoqualmie Falls, WA

The ground beneath my feet rumbles.
Softly at first, and then with each step
increasing in its timbre.

The air is damp and mossy with a gray light
filtering through the canopy of spruce and pine.
Wet thunder rises; my ears are muted
by the intensity of a river plummeting
over slick rock lips;
a roiling, massive death spiral.

Half the volume swan dives elegantly
hundreds of feet into a pounding foaming white pool,
while my pounding heart matches the outpouring,
beat for beat.
The other hangs mistily in the frigid air,
gently nourishing the brown-green algae with its spit.

I cannot help but marvel at the sheer anger of it all,
wondering how many open-mouthed bass
thrust forth into open space, gargoyle-eyed as
the river disappears beneath them,
recognize this as the end of their swim?

Death, anger, power…and yet
so serenely beautiful

Rage on, Snoqualmie,
before the winter’s freeze deprives you
of your liquid dance!

 

EMBRACING CRITIQUE by D.L. McHale


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One of my closest friends confessed to me today that she was strongly contemplating giving up her blog because one of her readers keeps disparaging every written entry as “amateurish” and “meaningless.”  I told her she should be thankful that she had at least one devoted fan who felt so compelled by her writing that he simply had to take the time to respond to everything she writes. You can’t buy that kind of loyalty.

Sometimes you just have to shout into the void to know you still have a voice, and that the echo that ricochets back is someone else’s acknowledgment that you’re not alone.

JUGGLING LIFE by D.L.McHale


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Consider for a moment that we are all jugglers. It is, afterall, what life demands of us; constant juggling – of time, relationships, our attention, responsibilities. We feel ourselves continually caught up in the demanding task of keeping many things up in the air simultaneously, smoothly rotating, round and round.

Suppose then, in our quest to be the best juggler possible, we see that we are juggling three balls: one rubber, one wooden, and one crystal.

In the course of our juggling, we slip and drop one ball. Let’s say it’s the rubber ball. What happens to it? No real damage done, right? It bounces. It comes back to you. This rubber ball might represent your education, your job, your contributions to the community in which you live. It is the decisions you make everyday that defines not the depth, but the breadth of living. In the course of your life you may drop this ball several times…you may change jobs, you advance, you are laid off, you make new friends, old ones slip away, you go back to school…it is constantly moving in new directions.

Do not overly concern yourself when this rubber ball slips and falls to the ground; it will retain its resiliency, bounce back, and everything will be fine.

Suppose now you lose your focus for a second, perhaps a day or two. You drop the wooden ball. What becomes of it? Well, it’s a bit noisier, true, but in all likelihood it will become scratched, perhaps chipped. In time, after a few falls, it may even take on a new shine, a new patina.

This wooden ball represents your health and your spirituality. It changes…constantly. It evolves.  It will not look the same today as it will tomorrow. That is its nature. Be mindful of keeping this one aloft, but do not distress if from time to time it slips your grasp. It, too, is resilient and in the long run, it endures.

But what then of the third ball? The crystal ball? What happens if you take your eye from it for a moment and it hits the floor? What becomes of it?

It shatters! It will not return to you for it is utterly destroyed.

This crystal ball represents your close, intimate relationships. Your husband, your wife. Your Mother and Father and sisters and brothers. It represents your children and their children, et. cetera, et. cetera. It represents family and all close and cherished relationships. It represents the giving and the receiving of love.

If you drop this ball, no amount of effort will repair it. It is lost forever. For this reason alone, you must be acutely and forever focused on keeping this ball in the air at all costs.

As you juggle life, keep this lesson in mind, and keep your priorities likewise aligned. Allow for mistakes in life (the rubber and the wooden balls), but never accept your life as the mistake (the crystal ball!)

PROMISES by D.L.McHale


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You ask if love’s forever –
A promise I can’t make,
But if I could, or thought I should
I would not hesitate.

I’d promise you forever
And then a day or two
If I were free to guarantee
Forever loving you.

But promises are born of doubt
A doubt that’s seldom real;
The love we know can only grow
In trusting what we feel.
 
Yet, I’ll promise you this moment
If words can still your fears;
Just hold me now and show me how
To love you through the years.

 

FREE OPEN INVITATION TO SUBMIT: International Mail Art Project – Life in the XIX Century (hosted by Roberta Savolini)


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To All My Friends and Followers of “THE WINTER BITES MY BONES”

Artists from all over the world are invited to participate in this International Mail Art Project organised by the Faenza’s Watercolourists Association.

Everyone is welcome to participate, all ages and skill levels. An exhibition of the received works will have place in Faenza, Italy, during the first days of November 2015 for the yearly St. Rocco fair of the city .

All the works will be exhibited online in a special album posted in the event too and later there will be also pictures taken at the exhibition.

Theme: “Life in the XIX century” (years 1800/1899)
Size: Postcard (10 x 15 cm) 
Technique: Free (watercolour, painting, drawing, collage and so on)

Rules: No jury, no fees, no return of the works, only original works, no copies. It is up to the artist to send in envelope or not, only 1 piece for each artist.

Deadline: Works must arrive by the 15th of October 2015.
Please clearly indicate name, address and email address on the back of the card.
Send your card to:

Associazione Acquerellisti Faentini
c/o Silvano Drei
Via Portisano 46
48018 Faenza (RA)
Italy

Thank you!

Album with the received works:
https://www.facebook.com/roberta.savolini/media_set?set=a.10153250359764359.1073741941.542694358&type=3

My thoughts on life….


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We are closest to God when we exhibit compassion.  We are furthest when we withold it.

– dlmchale

WHERE IS OUR STORY by D.L.McHale


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Death in Syria and Libya, financial collapse in Greece, fires in California, ISIS atrocities in Chattanooga, famine in the Sudan, murder by cop everywhere!

The list is endless.

Where are the uplifting stories?

Where are the tales of human heroism
that lift us beyond our everyday blues ,
the stories that reveal the true range
of human experience?

Are we shackled prisoners of a media
obsessed with the belief that the only thing that sells is grief and despair?

To overcome evil, we must be vigilant
about the abuses we humans bestow upon one another, stalwart against the evil forces of our inner demons.

We cannot stick our head in a bucket of wilted flowers and hope that things get better.

We need inspiration.

We need stories of triumph and victory.

We need to imagine and create.

Our imagination is a book of inspiration;
On its pages are found the stories of shared love,creativity, hope, and universal promise.

Ours is the story of lives imperceptibly bound, threads weaving a rich and colorful tapestry of humankind, of hope.

Where can we find hope?

It is found in our children, our future,
a new generation moving out into
and experiencing their worlds.

It is found in the creative outpouring of strangers ever reminding us that the true nature of humanity is to seek higher ground and to share with one another the voice of our inner genius.

It is found in the artists, the dancers, the poets and writers…the storytellers, the musicians, the singer’s, the community activists, the revolutionaries, the preachers, the atheletes, the lovers, and the loved.

It is found in the spiritual and collective vision of each of us.

The stories that diminish us will one day
be supplanted by those that lift us up!

Ours is a story of the capacity to love,
to overcome, to perservere.

I CHOOSE LOVE


(Music video by Shawn Galloway)
(Poem by D. L. McHale)

to suffer is to love
to love is to suffer…

I have known life
I have known love

I choose love

I have known hate
I have known love

I choose love

I have known loss
I have known love

I choose love

I have known death
I have known love

I choose love

to suffer is to love
to love is to suffer…

only through love
can I hope to endure
life, hate, loss and death
each comes to me in their seasons
each comes to me in full abundance
and when the merciless winds
of suffering settles the dust

…there is love

to suffer is to love
to love is to suffer…

does not the agony of birth
seal both mother and child
in eternal embrace?

…there is love

Do not the ministrations
of passing Samaritans
heal the savage wounds of
abandoment, hunger and hate?

…there is love

Did not the sacrifice and the blood
of the Lamb upon the cross
wash away the sins of man?

…there is love

the sweet release of death
fully sanctifies the meaning of life
as loving family and faithful friends
gather together to shelter …in love

to suffer is to love
to love is to suffer…

neither are mine to refuse

I can not. I must not…I will not!
I can not. I must not…I will not!

for I have chosen love

ABSTRACTIONS by D.L. McHale


abstractions

Her sexual abstraction takes even the most depraved of men by surprise.

She boasts of her conquests
     in morning’s breaking light
     as she brings her legs
     back together

How often she surprises even herself.

This is not a woman really known for her purity! Still, if you know the woman just from her sexual exploits, go immediately to the back of the class.

If you are foolishly tempted to label
     her, she’ll simply switch gears

An entire life of mythic proportions;
her world feels stage managed,
yet she deserves credit
as stage manager.

She likes to demurely deny
     that she even likes sex

As props go, men simply come cheap.  She revels in their adoration, devoting herself in putting them through their paces.

She has a love-hate relationship with her own myth, but both the love and the hate feeds her savage seduction.

When an image of herself becomes
      predictable, she throws it away and
      starts over

Before long she’ll present
abstractions as true love,
far from free offerings
of softness of flesh.

Uninvited overtures will snap shut all sexual overtones, presenting the cold indifference of virginal chastity.

She boasts that “nothing like me has
     ever come into this world before”

She seductively presents as a woman shaping and reflecting the male gaze, posing nude with her hair drawn tightly back from her classic bone structure.

When she tires of their perversities,
she silently re-emerges clothed,
with her hair down
and a soft pressed smile beneath –
pale eyes downward cast.

She’ ll move slow and with purpose
from empty room to empty room –
her dress hanging loose and full,
denying her sultry curves; as chaste
as a newly ripened peach.

Abstraction as revelation,
     shifting effortlessly
     from sultry siren
     to matronly madonna.

She is a mixture of soft pastels
and vibrant splashes of watercolors, with whiplash-inducing impulsiveness.

When she loves, her colors
     have sudden explosive intensity.

    When she hates, she progressively
    tightens and redefines herself.

The lack of any real separation
between reality and abstraction
is not to be carelessly measured
between sunrises and sunsets;
It is found in labored, tortured breaths
drawn between clenched teeth.

“Anything but flatness,”  she prays
as the darkness of night envelopes her
and carries her in its downward spiral.

By that time, it has become all but empty of feeling. The show opens with a dull if surprisingly contemporary picture of clouds,

After so many years
     of living in the eternal,
     Of loving in the abyss
     she has adopted a view
     from above the clouds.

Abstractions, her long and lonely hours
down to the bones and the wilted flowers.

Angels and Demons: An Affirmation of One Woman’s Life by D.L. McHale


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There is much power and beauty in her world, yet her soul is divided into two houses:

I.
One is sparce and darkly decadent, surrounded by high windowless walls; there is very little color to break the monotony, and its gate is usually locked.

This house is full of decaying art – the crudely painted memories left by people who felt their life had been changed by divine intervention, offering eternal love for her with promises that were falsely laid.

II.
The other house is rich in colour, its thick outside walls washed in strong blues and reds.
In this house, the gate is flung wide open, and on the patio outside there are clay pots and plates all decorated in a kaleidoscope of vibrant, living colours.

Inside is a tiny virginal bed with a mirror above it reflecting back the inconsistent themes of her life.

III.
She wears her silken hair in ebony rivulets cascading in loose waterfalls down her gently curving back; she takes great pride in the delicate scar across her upper lip, a reminder of the evil that dwells in the angry guts of jealous men.

Her clothing echoes her hair – she dresses in embroidered shirts and wide floor-length flowing skirts, swirling in the warm summer winds of her womanhood.

All of this colour and dynamism reflect her conflicted character; the turbulent and contradictory life she lives.  Her own story is both tragic and uplifting; the essence of her more provocative, daring and strange spirit.

Indeed, in some ways the dichotomy of her life are chapters in a long autobiography, paralleled and matched by her inner angels and demons.

This internal schism is refracted through the broken shards of a glass imagination, a constant yearning to fill the void within her. And in that complex yearning, another looming presence which was impossible to escape.

IV.
Her secret love, her one true love, is a huge man who looks even more enormous beside her diminutive body. He is a constant (but not faithful) companion.  She both loves and loathes him, in constant and equal measure.

The relationship between the two is fraught with conflict and anger. So it might be strange to see the two lace cloths embroidered with their names lying across the pillows of her bed.

There is in her life a curious blend of love, betrayal, hope, and long-suffering sentimentality coupled with a harsh frankness about herself – a combination that seduces many people – not only him.

V.
Each night, she gently and quietly untangles herself from his sleeping embrace and makes her way by moonlight to her gray, colorless house with the locked gate.

She indulges in intense relationships with faceless women and men, offering her backside to conventional morality. But in the cool grey light of morning, she folds herself once more into the warmth and safety of his arms.

This constant terrible pain is a permanent feature of her life, yet it does not restrain her. In some ways it makes her wilder and more uninhibited. For much of what compels her life is about pain, and the terrible fragility of her body compared with the resolution of her mind.

Each day she deals most explicitly with the paradox of excruciating joy and exquisite pain.

VI.
Her alter egos are attached by fragile vessels which are not easily cut – hence the bloodstained scissors resting on her white dress. The lush landscape of her dreams seem inaccessible because of the thorny brambles around her neck.

While she might appear, with her beautiful traditional dresses and her tiny broken body, like the ‘perfect doll’ that all men and certain women desire, she is nonetheless fulfilled in her own right, and pursues sexual fulfilment and monogamous peace with equal fervor.

A ribbon around a bombshell.

She is inexplicably wrapped in endless  layers of the full spectrum of human experience and the unbidden possibilities in human understanding.

She senses affirmation in the enormous potentiality of both houses and the unique power of being a woman once freed from constraint.

She is fighting a revolution within herself.

VII.
Hers is a life of two-way narratives. Of unimaginable passions and failed restraint. An existence made all the worse by sadness, distress and a brutal sense of betrayal. Made all the better by the wanton surrender to the possibilities and potential of a woman’s body.

This is the permanent consequence of her life. Yet the often violent and disturbing intersection of her two houses within her soul provide ironic affirmations of life; there is beauty in both, not only in the qualities of conventionality, but in the power and strength of the life itself.

She is full of curses and imprecations interwoven with lyrical images and fragments of poetry. Her dualism defies fatalism with their colours, their endlessly surprising meetings of image and meaning, their powerful assertions of her womanhood.

VIII.
She is both madonna and whore, and she is perfect in her imperfection.
Full of hurt and pain and yet equally bursting with life, defiance, and rebellion.
She is an ever-evolving act of defiance, a challenge, a continuing affirmation of life itself.

I AM BECOME


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Spat from the angered mouth of heaven
falling, spiraling, through the mystic ages
thrust without grace into the mortal coil
within my Mother’s sacred womb
and spat once more again into Life

I am become.

On broken knees with a broken voice
whispering hallowed hallelujahs
I am now become
this incredible expression of motion;
motion within volume,
volume within silent prayers

I am become.

Crimson rivers of blood wash
my bleached bones, cleansed and holy,
creating my presentational self –
a life defined in patterns of sentience
expressed through transcendent forms
of human feelings, of human failings,
of growth and attenuation,
of flowing and stowing,
of conflict and resolution,
speed, arrest, terrific excitement,
calm.

I am become.

In suffering forged and forgotten
shackled in the biting chains
of free will and isolation;
the celestial curse of the living flesh
now belies my subtle activation

In Death I am but sweetly spent
and spat once more
into the bowels of Earth
my soul surpassing the expression
of human feeling, of human frailty
transcending the mortal sphere
the push of life itself
it’s relentless assertion of tension
not only in myself, nor in all mankind
but rather in the cosmos
dissolving and so evolving eternal
once more spat into the Heavens

I am become.

MY REFLECTIONS ON CECIL AND OUR CULPABILITY IN THE CONTINUING TRAGEDY OF FAILED ANIMAL STEWARDSHIP


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by Dennis McHale

The slaying of Cecil has galvanized thousands of individuals who have in dismay and agony expressed their collective outrage for this incomprehensible tragedy. The murderer (a word I chose carefully to express my own dismay) is now in hiding, fearful of retribution against his physical self, no doubt in fear for his life. The mob is assembling, the pitchforks are gathered, the torches lit.

I can not, and will not deny them their anger, nor will I offer any defense for the dentist who perpetrated this senseless and cruel crime against nature…but neither will I deny that he is not the only villain in this blood-fest.  We are all culpable in the slaying of this majestic lion, for when was the last time any of us demanded an end to this business of savagely hunting down and killing the world’s precious and endangered species for sport and for profit?

When was the last time we raised our voices, as we do today, to cry out for protection for the lions and rhinos and elephants and whales and seals, and indeed, all defenseless creatures charged by nature and by God to our care?  Ask yourself, as you hunt down the perpetrator of Cecil’s demise, what have you yourself actually done to prevent such craven and barbaric acts…not only against animals, but against ourselves?

It takes more than flooding social media with tear-soaked tweets and emotion charged re-posts. It takes sacrifice and commitment. It takes money and it takes action. Words are a cheap substitute, and even this, what I write, falls woefully short of what Cecil needed most in the awful hours as he slowly bled with an arrow sticking out of his majestic body. As he endured the hunt in his final hours.

Diane Fossey gave her life defending lowland gorillas. Jane Goodall devoted her entire earthly existence to the protection, understanding, and preservation of chimpanzees and other primates. And what do we do? We content ourselves with casting the first stone. We hunt for one depraved man who feeds his lust for massacre upon our very apathy and inaction. We text our outrage and then just as quickly check our “likes” on Facebook.

Shame on this man for his near psychopathic yearning for destroying Cecil.  And shame on us for not beforehand putting in place protection against such acts of depravity in the first place.

The Receding Tides of Love


receding tide

It’s easy to say goodbye – to meet again is hard.
Love gone like rose petals fallen on flowing waters
My thoughts of her are like these flowing waters,
Meandering toward the open sea on their hopeless journey.
In time, washed away over a burnt orange horizon.

My hope, too!

The north wind blows; here on the ocean it’s cold.
My home is at the bend of a crumbling, salt-soaked pier.
I watch a lone white sail at heavens’ end;
Like a waking dream, quickly gone – who can I ask where?
Darkness falls beside the endless sea.

We had often walked upon warmer, infinite sands
Pressing our bare heels into the foaming wetness.
But one set of footprints are swept away too quickly
Swallowed by the receding tides of love.
This cold empty beach was never what I wished;
These scattered empty shells speak of inevitable ends.

The beauty of the ocean’s edge declines more year by year.

As the sun goes down, a chilling wind appears
Whipping the sands, stinging my face…a reminder
That with beauty comes inevitable pain –
To hear seagulls cry, or see pelicans on the fly
Makes me sorrow even more.

I lack the courage for this day.

Wrapping solitude around me like a mother’s arms
I turn for home – or what I now call home –
An empty room, a quiet room, an empty bed, a quiet bed;
My refuge from the darkness and the light.
Myself, I think I’ve found a place that suits me..
I have made my home amidst this mighty shore,
Yet I can no longer hear the crashing of the ocean swells.

Outside my window, all the butterflies are white,
A pair flitter over the dying garden’s grass.
They are damaging my heart!
Two tears trace two lines down my face,
I send them to the ocean’s beaten coast.

One full year now separates the loving and the unloving;
I have not often thought of her, but neither can I forget.
We would not recognize each other even if we met again,
My face is covered with sand, my temples glazed with ocean foam.
In deepest night, a sudden dream returns me to her arms,
We look at each other without a word, a thousand tears now flow.

I know that this must have some deeper meaning.
My muse lifts me from my sickly state,
And smiling, asks me to write a poem
I try to write the pain away, but cannot find the words.

Tonight, the ocean’s wind enters through the window,
The torn gauze curtain starts to flutter and fly.
I turn slowly in my bed, looking up at the bright moon,
And send my prayers a thousand miles in its light.

The Dying Sun


In the bitter waves of loss,
Thrashed and tossed about,
By the sullen winds of life that blow,
From the desolate shores of doubt,
Where the anchors of love once cast
In search of eternal purchase
Now dragging useless in sorrow’s gale.
I am quietly holding fast, holding alone
To the things that cannot fail.

Why?

That’s what I seek (although my heart knows full well)
The truth is, I may never be able to know for sure why.
But I do know that there is no single
“Should have done” or “could have done”
Or “did” or “didn’t do”
That would have changed that why.
All that love could do was left undone.
This shipwreck, my castaway life,
This endless frothing of cold, death-capped waves
Was due to my taking my eyes off the horizon
Where our dreams were setting with the dying sun.

Letting Go


It is human nature to become too attached to things or people.  Learn how to let go with grace.
It is human nature to become too attached to things or people.
Learn how to let go with grace.

Letting go of regrets is not some passive undertaking. 

Regret is a weight that anchors us in the past,
rendering the future as unobtainable.

Letting go takes courage and lots of sweat.
It takes a willingness to allow pain to run its course.
We are forever changed by the failures of yesterday.
Who we are today barely resembles who we were yesterday.

The heartaches and the pervasive sense of loss
can either pull us down into the morass of self-pity,
or it can catapult us from the depths of relentless sorrow
to the heights of new joy.

It all depends on upon a readiness to face the sun
as it rises upon a new day.
Upon how hungry we are to feed the possibility
that something more, something better
awaits us in the infinite possibilities of tomorrow.

Memories are like a cracked mirror;
they can only serve to offer us
a distorted reflection of our true selves.
Memories seduce us with useless thoughts and images
of what was, of what might have been.
But memories are a poor substitute
for imagination and hope.
If we are ever to break free from the shackles of our past,
we must first wean ourselves from our addiction to memories.
Our addictive behavior is the root of all suffering.

But much like the heroin addict
who struggles and writhes in agonizing pain
as he kicks his deadly habit,
we, too, must find  within ourselves
the strength and courage
to kick our dependence on self-recrimination
and useless reflection.

The soul is a restless being;
it is constantly expanding
and demanding room to grow
and to breathe.
Let’s be honest –
the air has been sucked from yesterday,
and when we exist with our hearts and our feet
planted in the past,
we deny our souls the essential life force
needed  to carry us further
toward our fullest potential.

In the very moment that we let go,
we invite a rapture that can feed and satisfy the soul.

Be brave. Face the emptiness.
Wrap yourself in self-love.

Breathe again.

Live once more.

Love Fulfilled Beneath a Dying Light


When the sun sets, when its dying rays
filters through my bedroom window
I get the full brunt of this powerful star.
It is beautiful and blinding.
I feel its warming fingers softly caressing
my cheek; it dries the last traces of my tears.

Today, as the sun came into its latitude
to be shining directly on me,
I closed my eyes beneath its warmth
remembering brighter days.
Was this the same sun that kissed us
on our first walks upon the beach?
Was this the same sun that cast
its light on our wedding day?

Many people have expressed their love
to both of us throughout this process,
and many people have let us know
that it may be God’s will this, or God’s will that.
And it may well be.
But I know one thing.
We were both born of this organic, living universe.
Star matter is within us. We are forever connected
beneath the arch of its healing light.

I have never felt more in the presence of the supernatural
than today, with this mighty being shining on us,
me here, in my thoughts, you, there, wherever you are.
I can almost see the last breaths of our togetherness
in the stardust that once showered the idea of “us”
being pulled back towards that Sun.
It is as if the Sun had decided to choose this moment,
to envelop the two of us in divergent beams of light,
and take us back, separately, back to the stars.

In a way, it is beautiful.
This Sun, our Sun, reminds me
to live more fully, more appreciatively, and more happily.
I won’t think of a marriage that has died.
I’ll think of those moments we had to dance in its light.
With much love and sadness.

She Will Come


I’ve spent my nights in silent yearning
For a beautiful love that will not perish

And she who will soon come to me
In the time of soft plum-blossoms

When the air is full of songbirds singing
When the sky is a delicate caress;

She will come
With a mist of stars about her

And great beckoning plumes of smoke
Upon her leaping horses.

And she will bend suddenly and clasp me;
She will clutch me with fierce arms

And stab me with a kiss like a wound
That bleeds slowly.

But though she will hurt me at first
In her strong gladness

She will soon soothe me gently
And cast upon me an unbreakable sleep

Softly forever.

 

 

 

Of Love Lost


 All the dreams I dreamt
Will vanish like the morning fog
When at last I awaken,
And something tells me that day is come.

Still that final goodbye echoes fresh—
Oh, how we, both she and I
First kissed as the sun went down.
Will she ever return? I cannot say.

The door creaks.
A sudden whiff of the lost and familiar…
A day with her lost among the days without.
Once more the door creaks.
Who is it?
I have no voice left;
The last candle is almost out.

Painting by Adrian Calin
Painting by Adrian Calin

Genie, You’re Out! (Or Reflections on the Death of Robin Williams


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I am devastated about the loss of Robin Williams, as are the millions of his fans, and more so by the fact that he took his own life.  Despite all of his money and all of his available resources, depression reached its bony fingers into his life and dragged him to an untimely death (as it certainly has for millions of others!)  Drugs and alcohol are certainly a part of his story, but make no mistake…this is a story about the savage blow of depression.  The pills and booze were only a symptom of Robin William’s sad demise.  Depression was the death blow.

If you have never suffered from the savage effects of deep depression, you might find it hard to comprehend his decision to take his own life. Depressed people don’t kill themselves out of quote ‘hopelessness’ or any abstract conviction that life isn’t worth living. And surely not because death seems suddenly appealing. Depression is an invisible agony that for many reaches a certain unendurable level where life and death are near equal terrors and death becomes a lesser terror than living.

For those who decide to take their life, they spend their final days and hours in much the same way a trapped person eventually chooses to jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire’s flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It’s not desiring the fall; it’s terror of the flames.  For the depressive suicidal, it’s not the desire of death, it’s the terror of living. And yet nobody down on the sidewalk, looking up and yelling ‘Don’t!’ and ‘Hang on!’, can understand the jump. Not really. You’d have to have personally been trapped and felt flames to really understand a terror way beyond falling.

In this same way, a person who doesn’t suffer the agony of depression will never be able to understand the torments and terrors suffered by those afflicted. Never. Just as depression is an invisible agony, so, too is the understanding of true depression invisible to those who do not suffer it.

We can, and should, have a conversation about depression, but unless you’ve ever stood on a ledge with flames coming closer and closer, you will never truly understand the agonizing decision to jump.

Rest in peace, Robin Williams..Genie, you’re out!

Mistress Moon


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Her face is frost etched glass
floating in the blue-black winds of the night;
she illuminates footsteps hushed
on decayed and dampened leaves;
grieves for freshly planted souls
who have turned from the light of day.

Her midnight corset is tightly laced
by the dazzling tails of falling stars;
she moves in phases
with the  tempered grace of a childless empress
wandering silently and with bowed head
through the cold shadows of winter’s garden.

She seduces the wolf and the poet
with equal ambivalence, each of whom
compose for her dream-soaked arias
and haunting sonnets that speak of
promises never meant to be kept.

She mourns her  powdered reflection
as it ripples across frozen lakes:
hides behind silver-lined clouds when
she can no longer bear the loneliness
of her shadowy journey across granite
mountaintops and sleeping meadows.

At last, in the cool, grey light of morning,
as the sun softly caresses her porcelain
cheek with warm fingers of breaking light,
she sighs but once, then slowly fades into
the rose colored blush of a new day.

My Life’s Palette by Dennis McHale


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It all began
with the glowing green meadows;
cool, dew-moistened blades of grass
softly pressed into the shape
of a young boy’s naked feet running
frivolous and joyous
in the backyards of my innocence.

In time, the azure-blue skies
puffed with the carefree brilliant white cotton-candy clouds
of my adolescence fed my wandering dreams,
lifting me to new heights,
pressing me tenderly against the heavens.

In my teen years, the skies grew heated
beneath the raging, orange-flecked storms
battering the massive walls of my pubescent limitations.
I fought bravely against the darkening forces shaping me,
but was laid low with the sizzling strike of a silver bolt of lightning,
my body then forged in the ruby red-hot fires of puberty.

As a young man, there came a day with you in it;
a dazzling star as yellow-bright and full of light –
your beauty washed over me, igniting my purpose,
I was blinded by the intensity and the nearness of you,
awakening within me the amazing brilliant white glow
of desire, love, and hope.

Eventually, the blue-black sheet of night
was pulled over me; the skies darkened a midnight onyx
leaving me lying in the cool-grey mist of the shadow of Death.
The lights dimmed as did my voice,
as the murky fingers of Death reached toward me.

I was immediately lifted up into a new beginning;
the soothing winds of forever washing over
the palette of my life
as once more my heels were dipped
into the forgiving green blades of grasses
of eternity’s meadow.

The Hopeless Longing of This Day


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Each night within my folded dreams
You come to me, or so it seems
My heart beats then a thousand times
In aching rhythm, in broken rhyme

But when the morning sun appears
Once more I’m bathed in lonely tears  

My thoughts of you will more than pay
The hopeless longing of this day
Come now, and let me dream it true
With sleep-clenched eyes I am with you 

You part my hair, and kiss my brow,
And say, Love, why sufferest thou?

Come to me in my dreams, and then
By day I shall be well again!  
My thoughts of you will more than pay
The hopeless longing of this day  

 

The Love I Once Had, And Lost


love-lost

I have no thought of future love –
That’s a bridge I’m not ready to cross…
I need time yet to heal
From the pain that I feel
For the love I once had…and lost.

It’s not that I don’t feel the need –
In truth, no need is greater;
But unless I survive
What I’m feeling inside
I’ll have no need for later.

Be patient with me, please understand –
I’m not a man who’s made of stone…
I’ll deal with tomorrow
When I’ve dealt with the sorrow
Of living today all alone.

I’m not giving up on the future –
I just have no time for the thought
Of loving again
While I’m still lost within
All the love I once had…and lost.