To All My Friends and Followers of “THE WINTER BITES MY BONES”
Artists from all over the world are invited to participate in this International Mail Art Project organised by the Faenza’s Watercolourists Association.
Everyone is welcome to participate, all ages and skill levels. An exhibition of the received works will have place in Faenza, Italy, during the first days of November 2015 for the yearly St. Rocco fair of the city .
All the works will be exhibited online in a special album posted in the event too and later there will be also pictures taken at the exhibition.
Theme: “Life in the XIX century” (years 1800/1899)
Size: Postcard (10 x 15 cm)
Technique: Free (watercolour, painting, drawing, collage and so on)
Rules: No jury, no fees, no return of the works, only original works, no copies. It is up to the artist to send in envelope or not, only 1 piece for each artist.
Deadline: Works must arrive by the 15th of October 2015.
Please clearly indicate name, address and email address on the back of the card.
Send your card to:
Associazione Acquerellisti Faentini
c/o Silvano Drei
Via Portisano 46
48018 Faenza (RA)
Death in Syria and Libya, financial collapse in Greece, fires in California, ISIS atrocities in Chattanooga, famine in the Sudan, murder by cop everywhere!
The list is endless.
Where are the uplifting stories?
Where are the tales of human heroism
that lift us beyond our everyday blues ,
the stories that reveal the true range
of human experience?
Are we shackled prisoners of a media
obsessed with the belief that the only thing that sells is grief and despair?
To overcome evil, we must be vigilant
about the abuses we humans bestow upon one another, stalwart against the evil forces of our inner demons.
We cannot stick our head in a bucket of wilted flowers and hope that things get better.
We need inspiration.
We need stories of triumph and victory.
We need to imagine and create.
Our imagination is a book of inspiration;
On its pages are found the stories of shared love,creativity, hope, and universal promise.
Ours is the story of lives imperceptibly bound, threads weaving a rich and colorful tapestry of humankind, of hope.
Where can we find hope?
It is found in our children, our future,
a new generation moving out into
and experiencing their worlds.
It is found in the creative outpouring of strangers ever reminding us that the true nature of humanity is to seek higher ground and to share with one another the voice of our inner genius.
It is found in the artists, the dancers, the poets and writers…the storytellers, the musicians, the singer’s, the community activists, the revolutionaries, the preachers, the atheletes, the lovers, and the loved.
It is found in the spiritual and collective vision of each of us.
The stories that diminish us will one day
be supplanted by those that lift us up!
Ours is a story of the capacity to love,
to overcome, to perservere.
There is much power and beauty in her world, yet her soul is divided into two houses:
One is sparce and darkly decadent, surrounded by high windowless walls; there is very little color to break the monotony, and its gate is usually locked.
This house is full of decaying art – the crudely painted memories left by people who felt their life had been changed by divine intervention, offering eternal love for her with promises that were falsely laid.
The other house is rich in colour, its thick outside walls washed in strong blues and reds.
In this house, the gate is flung wide open, and on the patio outside there are clay pots and plates all decorated in a kaleidoscope of vibrant, living colours.
Inside is a tiny virginal bed with a mirror above it reflecting back the inconsistent themes of her life.
She wears her silken hair in ebony rivulets cascading in loose waterfalls down her gently curving back; she takes great pride in the delicate scar across her upper lip, a reminder of the evil that dwells in the angry guts of jealous men.
Her clothing echoes her hair – she dresses in embroidered shirts and wide floor-length flowing skirts, swirling in the warm summer winds of her womanhood.
All of this colour and dynamism reflect her conflicted character; the turbulent and contradictory life she lives. Her own story is both tragic and uplifting; the essence of her more provocative, daring and strange spirit.
Indeed, in some ways the dichotomy of her life are chapters in a long autobiography, paralleled and matched by her inner angels and demons.
This internal schism is refracted through the broken shards of a glass imagination, a constant yearning to fill the void within her. And in that complex yearning, another looming presence which was impossible to escape.
Her secret love, her one true love, is a huge man who looks even more enormous beside her diminutive body. He is a constant (but not faithful) companion. She both loves and loathes him, in constant and equal measure.
The relationship between the two is fraught with conflict and anger. So it might be strange to see the two lace cloths embroidered with their names lying across the pillows of her bed.
There is in her life a curious blend of love, betrayal, hope, and long-suffering sentimentality coupled with a harsh frankness about herself – a combination that seduces many people – not only him.
Each night, she gently and quietly untangles herself from his sleeping embrace and makes her way by moonlight to her gray, colorless house with the locked gate.
She indulges in intense relationships with faceless women and men, offering her backside to conventional morality. But in the cool grey light of morning, she folds herself once more into the warmth and safety of his arms.
This constant terrible pain is a permanent feature of her life, yet it does not restrain her. In some ways it makes her wilder and more uninhibited. For much of what compels her life is about pain, and the terrible fragility of her body compared with the resolution of her mind.
Each day she deals most explicitly with the paradox of excruciating joy and exquisite pain.
Her alter egos are attached by fragile vessels which are not easily cut – hence the bloodstained scissors resting on her white dress. The lush landscape of her dreams seem inaccessible because of the thorny brambles around her neck.
While she might appear, with her beautiful traditional dresses and her tiny broken body, like the ‘perfect doll’ that all men and certain women desire, she is nonetheless fulfilled in her own right, and pursues sexual fulfilment and monogamous peace with equal fervor.
A ribbon around a bombshell.
She is inexplicably wrapped in endless layers of the full spectrum of human experience and the unbidden possibilities in human understanding.
She senses affirmation in the enormous potentiality of both houses and the unique power of being a woman once freed from constraint.
She is fighting a revolution within herself.
Hers is a life of two-way narratives. Of unimaginable passions and failed restraint. An existence made all the worse by sadness, distress and a brutal sense of betrayal. Made all the better by the wanton surrender to the possibilities and potential of a woman’s body.
This is the permanent consequence of her life. Yet the often violent and disturbing intersection of her two houses within her soul provide ironic affirmations of life; there is beauty in both, not only in the qualities of conventionality, but in the power and strength of the life itself.
She is full of curses and imprecations interwoven with lyrical images and fragments of poetry. Her dualism defies fatalism with their colours, their endlessly surprising meetings of image and meaning, their powerful assertions of her womanhood.
She is both madonna and whore, and she is perfect in her imperfection.
Full of hurt and pain and yet equally bursting with life, defiance, and rebellion.
She is an ever-evolving act of defiance, a challenge, a continuing affirmation of life itself.
Spat from the angered mouth of heaven
falling, spiraling, through the mystic ages
thrust without grace into the mortal coil
within my Mother’s sacred womb
and spat once more again into Life
I am become.
On broken knees with a broken voice
whispering hallowed hallelujahs
I am now become
this incredible expression of motion;
motion within volume,
volume within silent prayers
I am become.
Crimson rivers of blood wash
my bleached bones, cleansed and holy,
creating my presentational self –
a life defined in patterns of sentience
expressed through transcendent forms
of human feelings, of human failings,
of growth and attenuation,
of flowing and stowing,
of conflict and resolution,
speed, arrest, terrific excitement,
I am become.
In suffering forged and forgotten
shackled in the biting chains
of free will and isolation;
the celestial curse of the living flesh
now belies my subtle activation
In Death I am but sweetly spent
and spat once more
into the bowels of Earth
my soul surpassing the expression
of human feeling, of human frailty
transcending the mortal sphere
the push of life itself
it’s relentless assertion of tension
not only in myself, nor in all mankind
but rather in the cosmos
dissolving and so evolving eternal
once more spat into the Heavens
Our unheard voices,
silenced in the crumpled lies
daily and soundly trumpeted
by the world of false authorities!
Cities crumble beneath
the weight of their own conceit
and concrete concealments
and governments, but wisps
of foul winds blowing in the deserts
of corruption and covetousness greed.
Are we to submit our precious few years
and the infinite possibilities of life
to a blind obedience to this pile of dust?
We will not! We cannot!
We must live for love, or else we die,
and love requires freedom from all
false restraints, be they societal or
or subjective – it must be unfettered
and at liberty to express the authenticity
of human experience.
We should with deep and soulful
glee pledge our allegiances
to the elegance of nature
and the exquisiteness of tender acts
of mercy and unrestrained love.
Let us, therefore, express unbridled
compassion toward our neighbor.
than mindlessly march, day by day
into the dark void of hate and self-pretenses?
With love and patience, we shall prevail.
Let us council with the philosophies of the
woodland creatures before that of immoral
false prophets, and beneath the wings of
of the soaring eagle let us find our truths.
Where injustice reigns, we will struggle
with all our might to unshackle the chains
that bind us to fabricated obedience, and
band together beneath the social hammer
that crushes our capacity to love.
We are made of clay, but not to be lightly
molded into conformed shapes fired in the
blazing ovens of social orthodoxy – but
rather let us emerge as the shining gods
of glory and infinite adoration and peace and love
we were, from Eden, meant to be!
She spent half of her life wearing the same pair of shoes.
When she first saw them, they were dazzling… full of promise (and promises!) Tightly laced and polished, glistening like diamonds upon her feet.
They were immediately comfortable, and comforting.
At first, she walked through dark night forests and midnight-winding streets; breaking them in, smiling at the melody of new leather creaking in harmony with the violin-sawing of cricket wings, with the ruffling of the night owls feathers.
She dared to share her dreams, and danced in her new shoes with abandon and trust and hope.
The shoes spoke to her of wondrous things to come… making promises shoes should not make but new love demands –
of forever cradling her feet against sharpened stones; of warming her toes through winter’s storms; of lifting her heals in rapturous dance…
She fell in love with these shoes, flooded with dreams of where they might carry her. Each morning, she slipped them on with tenderness and love; each night, un-laced, she fell asleep clutching them to her breast…
…whispering sweet hallelujahs for all the miles they had shared, and would in all their ahead days walk, promising – until death do us part!
She loved her shoes with complete abandon and imagined they would always be as comfortable as the day she first placed them upon her trusting feet-
each day praying these shoes would always love her in return; with tenderness, truth, and above all else, never hurting her.
But the years went by, and those beautiful shoes began to wear. With time, they lost their gloss, and the leather cracked and hardened. She noticed, one morning, a tiny droplet of blood upon her sock; Later, a small cut upon her heel, a new pain within her heart.
Yet still, devoted, she continued to wear them though at night she began setting them beside her bed.
In the final year, she wept looking at these shoes; they were now ugly shoes, painful shoes.
“These shoes,” she tearfully whispered, “will never carry me to where I need to go.”
She could tell in other’s eyes that they
were glad these were her shoes and not theirs. They never talked about her shoes.
They looked away in embarrassed empathy. To learn how awful her shoes were might make them
To truly understand these shoes you must walk in them. But, once you put them on, you can never take them off.
She began, for the first time, to hate her shoes; with guilt at first, then with an increasing passion until one day an awareness swept through her thoughts:
“I deserve a better pair of shoes.”
She looked around, and for the first time understood that she was not the only one who wore those shoes.
“There are many pairs in this world,” she thought. I can either learn how to walk in them, timidly, so they don’t hurt quite as much…
“…or I can throw them away.”
And she began to plan. “No woman deserves to wear these shoes,” she cried. So for the final few months, she gathered her courage …..to throw them away.
Ironically, it was these shoes that had made her a stronger woman. These shoes had given her the strength to face anything.
They helped make her who she now was.
One day, she slipped them on a final time feeling the worn leather against her savaged foot; then, flooded with the intensity of love one can only feel knowing love is forever lost…she kissed the shoe goodbye.
When the time was right, she took her shoes to a secluded ravine kissed them, and tossed them…like an old pair of shoes, into an abyss.
The shoes lay there broken, tattered, worn and useless. The shoes could not speak of the love they held for the woman For its tongue was torn. Left to decay with nothing but the scent of the woman’s tender hands scenting its laces, slowly fading.
As soon as the shoes were disposed of she went barefoot into tomorrow, pain-free and dancing and singing:
“I will forever walk the bare feet of a woman who has lost her shoes!”
But in exactly one year, she slipped on another pair, happy and in love again, dancing and laughing once more...
hoping against hope, forgetting old shoes, willing with all her heart for this shiny new pair to carry her home.
In the bitter waves of loss,
Thrashed and tossed about,
By the sullen winds of life that blow,
From the desolate shores of doubt,
Where the anchors of love once cast
In search of eternal purchase
Now dragging useless in sorrow’s gale.
I am quietly holding fast, holding alone
To the things that cannot fail.
That’s what I seek (although my heart knows full well)
The truth is, I may never be able to know for sure why.
But I do know that there is no single
“Should have done” or “could have done”
Or “did” or “didn’t do”
That would have changed that why.
All that love could do was left undone.
This shipwreck, my castaway life,
This endless frothing of cold, death-capped waves
Was due to my taking my eyes off the horizon
Where our dreams were setting with the dying sun.