10 Reasons You Should Not Discuss Politics on Facebook by D.L.McHale


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I see a lot of things I disagree with on social media. And, to be honest, I’ve probably posted more than my share of things that are disagreeable. It’s hard to keep our personal beliefs to ourselves when we see things online that we take issue with. Let’s take the subject of politics on Facebook.

For me personally, I have many friends and family members on Facebook who are on both sides of the fence politically. From time to time I have posted something politically charged, only to go back a little bit later and remove it after I’ve thought about the possible repercussions. I am now fully committed to never doing it again.

So, I’ve come up with some reasons why none of us should post about politics on Facebook. Nothing that I’ve written is intended to silence anyone. My sole motivation is to keep relationships on Facebook intact, and invite the reader to look toward more appropriate forums for political debate.  Here you go….

  1. You could alienate family and lose your friends.There is no reason friends and family can’t discuss political issues calmly and respectfully…but for heaven’s sake, do so in person! If you don’t feel comfortable expressing opinions at the dinner table, why would you feel so comfortable doing so online? Don’t be a coward! Most people feel righteous and powerful when they are safe behind their computers and post things they would never say face to face. Being an online political bully is no different than being a bully in person. Remember, even if you are right doesn’t make it right! And what does it say about you as a friend that you are willing to hurt the ones you love just to express your political leanings?
  1. You could lose your job. Posting your strong political beliefs on Facebook is personal, and it’s not business…correct? Bullshit!  If your employer feels strongly about a political issue and you go on Facebook and post totally derogatory rants counter to what they believe, they might take your post personally and professionally. You want your employer to like you and factor you into the culture of the business they built. And while you have every right to hold opposite beliefs, you don’t need to invite career disaster just to put your opinion online.  Employers hire people they know, like and trust. Period. If you are willing to accept the consequence, by all means, post away.  But after the election is over, and you sit there unemployed, not sure what happened, don’t blame others for your indiscretion.
  1. You are wasting your time. “Your clever meme changed my political beliefs” said no one ever! You’re not going to change someone’s political beliefs on Facebook. You may think you have the most compelling argument, but guess what? You don’t, and neither do they. You can debate and debate, but you’re just wasting your time. People are different and believe different things. If you truly love and care for your online friends and family , quietly accept it, agree to disagree and move on. Life’s too short. Let your vote be your voice.
  1. Facebook is the wrong platform. If you’re bound and determined to spend time arguing over political issues online, perhaps you should go to a political blog or a news site and do so. Don’t ruin everyone else’s experience on Facebook with your political rants, no matter how passionately you think others NEED to hear your point of view. No one wants to limit your freedom to fight for what you believe, but ask yourself, is Facebook the right forum? Last week you were posting photos of your precious niece at a ballet recital.  This week your niece’s parents don’t give a shit about you because you called them stupid on political issues.  If you are willing to damage your close relationships to express an opinion that evaporates in the next political cycle, by all means, do so. Perhaps you should go into politics yourself where you can sacrifice your loved ones as long as you get your soap-box to stand upon. Fair exchange, right?
  1. There’s enough politics in the media. One of the reasons I use Facebook is to laugh, have fun and converse with my friends and family. I don’t use it to get worked up or stressed out over something I see that I disagree with. There’s enough political coverage in the mainstream media. More than enough. Keep it there and leave the politics to the pundits. As much as you believe you are the end-all in political debate…you are not. Get over yourself. When all is said and done in this election, you Mom will still be your Mom; your maid-of-honor will still be your best friend. Your aunt and uncle will still be part of the fabric of your life.  (Well, maybe.)
  1. You might lose 50% of your clients. If you’re marketing your business on Facebook, you absolutely NEVER want to go down this road on your Facebook business page. When you post your political beliefs on your business Facebook page, I guarantee you just lost up to 50% of your potential client base.  And for what?  The right to feel right?  I have a lot of strong opinions, but none of them are valued over $1.00.  But hey, it’s your business.  If you feel everything you’ve worked hard for and sacrificed for is easily given up for the right to be King of the Mountain of Facebook, by all means go for it.  I’m sure your candidate will mail you a check to cover your loss.  What, nothing in the mailbox.  I’m sorry.  Keep posting…maybe it will be in the mail next week.
  1. You’re just feeding the troll. I’m sorry for name-calling in a post that despises name-calling, but let’s face it: you’re just making yourself another Internet troll. And Facebook is infested with trolls. It’s too easy and you are not nearly as clever as you think you are. Half-truths and shallow talking points are what the internet are made of. The troll diet consists of apples and oranges as they attempt to equate things like the rainbow flag to the confederate flag. These people don’t deserve your attention; they’re just antagonists. They don’t want rules. They just want to fight and prefer it to be unmediated. That is exactly the platform Facebook provides. It’s a place where people feel comfortable making huge rhetorical leaps, without facing the challenge or consequences of having to back it up. Do yourself a favor and just stay out of it.
  1. Keep your political posts to facts and figures and funny (not mean) things. Don’t pretend you know what you are talking about. Are you an expert on foreign policy, or do you just have a personal opinion? Can you talk with expertise on the nuances of global economics, or are you just pissed because your paycheck is shrinking, rather than growing? Keep it to the facts as it applies to you
  1. When you comment on a friend’s post, don’t make it personal – ever. If a friend’s Facebook posts are offensive to you, “un-follow” them until Election Day 2016. That way their posts and cheap memes won’t be visible to you.  Or, if they really go too far, “unfriend” or “block” them. But please, don’t do this for family members with whom you may be breaking bread or sharing turkey in a few weeks’ time.
  1. Join a closed Facebook group dedicated to your political point of view .Rant all you want with those like-minded individuals. But don’t think that just because it’s closed, your posts will be private; they won’t be. Join Twitter and leave Facebook behind for now. You can “follow” those who believe what you do and they can reciprocate. In that way, Twitter is very incestuous, but keeping it all in the family can sometimes be a good thing.

Agree or disagree with my advice? Instead of beating up on others, go ahead a beat up on me at dennis.l.mchale@gmail.com. Trust me, I have nothing to lose. I promise, I won’t be offended and perhaps your family and friends will still love and accept you after election day.

ILLUMINATION


(Dedicated to Jules)

We always sleep with curtains drawn,
in the soft blue light of morning,
I rise and pull the black velvet tight.

 You stirred, half-asleep in a pool of desire 
then stretched your hand back to my thigh 
our bed a ship in sleep’s doubled plunging 
 
wave upon wave, until as though a lighthouse
      beam had crossed the room: the vase between
 
the windows suddenly ablaze, a spirit,
        seized, inside its amethyst blue gaze.  
 
What’s that? you whisper. A slip of light, untamed,
       had turned the vase into a crystal ball,
 
whose blue eye looked back at us, amazed, two
       sleepers startled in each other’s arms,
     
while day lapped at night’s extinguished edge,
            adrift between the past and future tense,
 
        a blue moon for an instant caught in its chipped
                 sapphire—love enduring, give or take.

IT IS THE SEASON by D.L.McHale


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“God talks in the trees.”
— Thomas Merton, The Sign of Jonas

It is the season of sleeping late 
while dreaming of red-orange trees 
shuddering in the evening breeze. 
These are the short days
when the thirst for warmth suborns desire 
and Eros kisses summer love goodnight.

It is the season of crimson sunsets 
pouring slowly, like thick molasses, 
over church steeples and frozen riverbeds. 
When snow-pregnant clouds float lazily 
across flower-less meadows
and lovers seek shelter beneath heavy quilts.

It is the season of naked trees, 
with branches like fingers extending 
toward the setting sun, tracing delicate arches 
across the rose autumn sky.
Those days when the blackbird flies southward
into the night beneath crystal constellations.

It is the season of surrender, 
when burdens, like the yellowing leaves, 
fall silently to the frozen earth
and tired bones warm themselves before tended fires.
It is the season of dying in the palm of God’s hand;
comforted in the knowledge of spring’s resurrection.

NOSTALGIA by D.L.McHale


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In my mind’s recess, a soft caress
of memories and days gone by
A kaleidoscope of love and hope
And answers to the “Why?”

I fall within and live again
Those magic days bygone
My thoughts set free in reverie
Warmed by a setting sun

Another time in perfect rhyme
Now formed in my revision
I’m lifted up as I fill my cup
With reflection and a vision.

Within my dream, or so it seems
The best of times has past
Yet still somehow, I cherish “Now”
And tighter still my grasp

Outside my mind my thoughts unwind
And now today returned –
For yesterday is still no way
To face the future’s turn.

THE HOLINESS OF SUFFERING by D.L.McHale


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I am not yet dead.

Do not call this a miracle or raise your hands in praise. 
First, you should know how long I prayed, and how I came to know the silence of the Lord.

He does not arrive in a ball of light blinding on the road to Damascus. He comes in silence.

Lie there night after night and you will come to know the things I speak of.

My God speaks in the tongue of suffering.

I have survived, but do not call that brave.

I rattled this body from the inside out. There are those who dared get close to me who can testify. I could not find its latch.  I would have escaped it if I could. 

I say this to you because I know, you too have suffered — a body can be rummaged through like a medicine cabinet.

The flesh can be unfurled. Stitched, unbound, mended and stitched again.

Nothing is lost; nothing can be unmade.

But do not underestimate how hard it is to die and do not think death will save you.The dead have forgotten suffering.

Remember what I tell you here.

Remember how hard I held on. Remember the long nights I prayed.

Remember: whole days and nights I wandered outside myself. My body opened to wind and latched like a door against it.

There was pain in the opening and pain in the parts that healed.

Remember what I said of prayer: to house the soul in a body is a way of it.

Sometimes we suffer for one another. I am sorry for those who have suffered for me. But mostly, I am grateful.

If you like, we can call it holy.

SNOQUALMIE FALLS by D.L.McHale


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Salish Lodge, Snoqualmie Falls, WA

The ground beneath my feet rumbles.
Softly at first, and then with each step
increasing in its timbre.

The air is damp and mossy with a gray light
filtering through the canopy of spruce and pine.
Wet thunder rises; my ears are muted
by the intensity of a river plummeting
over slick rock lips;
a roiling, massive death spiral.

Half the volume swan dives elegantly
hundreds of feet into a pounding foaming white pool,
while my pounding heart matches the outpouring,
beat for beat.
The other hangs mistily in the frigid air,
gently nourishing the brown-green algae with its spit.

I cannot help but marvel at the sheer anger of it all,
wondering how many open-mouthed bass
thrust forth into open space, gargoyle-eyed as
the river disappears beneath them,
recognize this as the end of their swim?

Death, anger, power…and yet
so serenely beautiful

Rage on, Snoqualmie,
before the winter’s freeze deprives you
of your liquid dance!

 

JUGGLING LIFE by D.L.McHale


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Consider for a moment that we are all jugglers. It is, afterall, what life demands of us; constant juggling – of time, relationships, our attention, responsibilities. We feel ourselves continually caught up in the demanding task of keeping many things up in the air simultaneously, smoothly rotating, round and round.

Suppose then, in our quest to be the best juggler possible, we see that we are juggling three balls: one rubber, one wooden, and one crystal.

In the course of our juggling, we slip and drop one ball. Let’s say it’s the rubber ball. What happens to it? No real damage done, right? It bounces. It comes back to you. This rubber ball might represent your education, your job, your contributions to the community in which you live. It is the decisions you make everyday that defines not the depth, but the breadth of living. In the course of your life you may drop this ball several times…you may change jobs, you advance, you are laid off, you make new friends, old ones slip away, you go back to school…it is constantly moving in new directions.

Do not overly concern yourself when this rubber ball slips and falls to the ground; it will retain its resiliency, bounce back, and everything will be fine.

Suppose now you lose your focus for a second, perhaps a day or two. You drop the wooden ball. What becomes of it? Well, it’s a bit noisier, true, but in all likelihood it will become scratched, perhaps chipped. In time, after a few falls, it may even take on a new shine, a new patina.

This wooden ball represents your health and your spirituality. It changes…constantly. It evolves.  It will not look the same today as it will tomorrow. That is its nature. Be mindful of keeping this one aloft, but do not distress if from time to time it slips your grasp. It, too, is resilient and in the long run, it endures.

But what then of the third ball? The crystal ball? What happens if you take your eye from it for a moment and it hits the floor? What becomes of it?

It shatters! It will not return to you for it is utterly destroyed.

This crystal ball represents your close, intimate relationships. Your husband, your wife. Your Mother and Father and sisters and brothers. It represents your children and their children, et. cetera, et. cetera. It represents family and all close and cherished relationships. It represents the giving and the receiving of love.

If you drop this ball, no amount of effort will repair it. It is lost forever. For this reason alone, you must be acutely and forever focused on keeping this ball in the air at all costs.

As you juggle life, keep this lesson in mind, and keep your priorities likewise aligned. Allow for mistakes in life (the rubber and the wooden balls), but never accept your life as the mistake (the crystal ball!)

THE DYING PETALS OF THE POET’S FLOWER by D.L.McHale


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Past the tick-tick-tocking of the midnight hour,
Wrapped in sweat-stained cotton sheets,
Robbed of sleep and feeling sour
Like a muffled drum sounding nothing beats –
In the dying petals of the poet’s flower.

This syrup sleep removes the pain,
While dreams remain beyond my reach.
A whiskey slumber subdues the brain
While my toss-n-turn reveals a breach,
As time grinds on just the same.

I rise to write the poet’s dribble
And gorge upon liters of stale red wine.
Behold, my words, a bastard’s scribble!
Writ upon the passage of borrowed time.
Each tick, each tock, from my life is nibbled

I cannot rest while my muse is clanging
Inside my head a poor man’s verse,
Nor can I stop the incessant banging
As my thirst for libations meets an empty purse!
These words are ripe for a morning hanging.

Upon the tick-tick-tocking of the morning hour,
Sweet sleep descends upon my brow.
Within my bed I hide and cower;
An ink-less pen is a horseless plough –
In the dying petals of the poet’s flower.

Prelude to Writing, “Suicide Sisters”


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Emotionally exhausted and viscerally spent, I have just completed my readings of those I have affectionately nicknamed the “Suicide Sisters” – Virginia Woolf, Anne Sexton, and Sylvia Plath. 

I had hoped to glean some understanding of how incredible writing is influenced by depression, personal anguish and mental illness. Had I known how jagged this footpath was, I might have thought twice before beginning such a journey. 

I literally fell in love with all three of these Spirits. I cried without shame. I physically felt pain at times. At times, especially with Virgina Woolf, I would swear I heard their whispers in my inner ear.

This has been the most difficult, hopeless literary undertaking of my life.  Hope had a way of getting misplaced, if not lost outright, when reading these women.

At times, I had to remind myself to breath. In truth, at times I didn’t want to.

SUICIDE SISTERS by D.L.McHale


My Suicide Sisters!

Would that I could deeply reach
beneath the dark-moist earth
pulling upward closely to my breast
fistfuls of your white-bleached bones –
to feel the jagged edges pressed
against my selfish living flesh;
to smell the late hours of your suffering,
to taste your tortured final verse
upon my dusty tongue.

Oh, my Suicide Sisters!
You each found in Death’s cold embrace
the peace and warmth Life long denied.

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Virginia…did you pack stones enough
to carry you as wetly deep as needed
to sleep through the ages?
Have the midnight screams,
the anguished dreams
settled softly with you on the murky riverbed?

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Sylvia…your babies lay warmly sleeping
drawing their first breaths where you surrendered your last..as then you entered eternal night –
did you fight against the dying light,
or was your savagely betrayed soul
carried softly heavenward
upon the rising cloud of your final breath.

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Anne, surrendered child of the asylum
dancing in sync to the symphony of the insane, voiceless visionary virgin,
depression’s whore
revving the engine, inhaling “no more!”
The world kissed your haunting cheek,
chewing your words with callous spit
Dear Anne, whose words burn brightly still
have you fled this mortal coil and all its ills?

My sweet, courageous Suicide Sisters!

Did the screaming stop, the incessant hum,
as your mortal clocks
struck the hour of “none”?
I did not need your fevered poems
to navigate my way back home…
for here upon your graves I rest
hearing your echoes within my chest!

Where then is my courage?

Are you not even now pulling me to you?
Have I no further verse to write
to guide me over into the comforting silence of our shared eternal night?
The bitter truth that is mine to drink
is not that I write, but that I think!

Your tortured lives are my dying treasure
For what is death but absent pleasure?

DREAMS by D.L.McHale


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the world spins on a tilted shaky spindle
and we hold on tightly with our hopes and dreams
(there is no space for anything but dreaming!)
we defy gravity with our capacity to love and cherish
we are gods treading boldly on a blue-green marble
beneath a sea of stars tossed upon a blue-black canvas
the universe painted in brilliant colors in random rotation
stoking the fires of our imagination with worlds beyond our reach
the non-dreamers toil in despair, and soon to dust return
while we float through infinity and blow kisses to the sun
dream, dream, dream…close your eyes and open your mind
(there is no space for anything but dreaming!)

Happy Birthday to T. S. Eliot (1888-1965)


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T.S. Eliot (1888-1965)

Happy Birthday to one of my greatest inspirations: T.S. Eliot (he is the reason I write as D.L. McHale)

The Love Song of J. Alfred Prufrock is perhaps one of the most introspective and transforming pieces of modern poetry ever written. It resonates, for me, on a substratum of my inner being, to which I rarely penetrate; for my life has been mostly a constant evasion of myself. My losses stack up accordingly.

In honor of his birthday, and his priceless contributions to both modern literature and to my own creative metal, “let us go then, you and I” to:

The Love Song of J. Alfred Prufrock

S’io credesse che mia risposta fosse 
A persona che mai tornasse al monda, 
Questa fiamma staria senza piu scosse. 
Ma perciocche giammai di questo fondo 
Non torno vivo alcun, s’i’odo il vero, 
Senza tema d’infamia ti rispondo

Let us go then, you and I, 
When the evening is spread out against the sky 
Like a patient etherized upon a table;  
Let us go, through certain half-deserted streets,  The muttering retreats  Of restless nights in one-night cheap hotels  And sawdust restaurants with oyster-shells: 
 
Streets that follow like a tedious argument  Of insidious intent  
To lead you to an overwhelming question . . . 

Oh, do not ask, “What is it?”  Let us go and make our visit.     

In the room the women come and go Talking of Michelangelo.   
 
The yellow fog that rubs its back upon the window-panes,
The yellow smoke that rubs its muzzle on the window-panes, 
Licked its tongue into the corners of the evening,  
Lingered upon the pools that stand in drains,  
Let fall upon its back the soot that falls from chimneys,  
Slipped by the terrace, made a sudden leap, 
And seeing that it was a soft October night,  
Curled once about the house, and fell asleep.     

And indeed there will be time For the yellow smoke that slides along the street,  Rubbing its back upon the windowpanes;  There will be time, there will be time  To prepare a face to meet the faces that you meet;  

There will be time to murder and create,  
And time for all the works and days of hands  
That lift and drop a question on your plate; 

Time for you and time for me,  And time yet for a hundred indecisions,  And for a hundred visions and revisions,  Before the taking of a toast and tea.    

In the room the women come and go Talking of Michelangelo.    

And indeed there will be time 
To wonder, “Do I dare?” and, “Do I dare?”  
Time to turn back and descend the stair,  
With a bald spot in the middle of my hair– 

(They will say: “How his hair is growing thin!”)  

My morning coat, my collar mounting firmly to the chin,  My necktie rich and modest, but asserted by a simple pin– 
 
(They will say: “But how his arms and legs are thin!”)  

Do I dare  Disturb the universe?  In a minute there is time  For decisions and revisions which a minute will reverse.   

For I have know them all already, known them all–Have known the evenings, mornings, afternoons, I have measured out my life with coffee spoons; 

I know the voices dying with a dying fall 
Beneath the music from a farther room.   

So how should I presume?      

And I have known the eyes already, known them all– 
The eyes that fix you in a formulated phrase,  
And when I am formulated, sprawling on a pin,  When I am pinned and wriggling on the wall,  
Then how should I begin 
To spit out all the butt-ends of my days and ways?

And how should I presume?     

And I have known the arms already, known them all– 
Arms that are braceleted and white and bare 
(But in the lamplight, downed with light brown hair!)  Is it perfume from a dress  That makes me so digress? Arms that lie along a table, or wrap about a shawl.   

And should I then presume?   
And how should I begin?  . . . . . .      

Shall I say, I have gone at dusk through narrow streets.And watched the smoke that rises from the pipesof lonely men in shirt-sleeves, leaning out of windows? . . .   

I should have been a pair of ragged claws Scuttling across the floors of silent seas.  . . . . . .    

And the afternoons, the evening, sleeps so peacefully!   Smoothed by long
fingers,  Asleep . . . tired . . . or it malingers,  
Stretched on the floor, here beside you and me. 

Should I, after tea and cakes and ices,  Have the strength to force the moment to its crisis? 

But though I have wept and fasted, wept and prayed,  Though I have seen my head (grown slightly bald) brought in upon a platter, 

I am no prophet–and here’s no great matter;  
I have seen the moment of my greatness flicker, And I have seen the eternal Footman hold my coat, and snicker, 

 And, in short, I was afraid.     

And would it have been worth it, after all, 
After the cups, the marmalade, the tea,  
Among the porcelain, among some talk of you and me, 

Would it have been worth while, 
To have bitten off the matter with a smile,  
To have squeezed the universe into a ball 
To roll it towards some overwhelming question,  

To say: “I am Lazarus, come from the dead, Come back to tell you all, I shall tell you all”– 

If one, setting a pillow by her head,   
Should say: “That is not what I meant at all;    That is not it, at all.”     

And would it have been worth it, after all, Would it have been worth while, 
After the sunsets and the dooryards and sprinkled streets,  After the novels, after the teacups, after the skirts that trail along the floor–  

And this, and so much more?–  

It is impossible to say just what I mean!  
But as if a magic lantern threw the nerves in patterns on a screen:  

Would it have been worth while 
If one, setting a pillow or throwing off a shawl,  And turning toward the window, should say: 

   “That is not it at all,    That is not what I meant at all.”. . . . . .     

No! I am not Prince Hamlet, nor was meant to be; Am an attendant lord, one that will do  
To swell a progress, start a scene or two,  
Advise the prince; no doubt, an easy tool,  
Deferential, glad to be of use,  Politic, cautious, and meticulous;  Full of high sentence, but a bit obtuse;  

At times, indeed, almost ridiculous–  Almost, at times, the Fool.        

I grow old . . . I grow old . . .I shall wear the bottoms of my trousers rolled.  Shall I part my hair behind? 

Do I dare to eat a peach?  

I shall wear white flannel trousers, and walk upon the beach.  

I have heard the mermaids singing, each to each.    I do not think that they will sing to me.    

I have seen them riding seaward on the waves  Combing the white hair of the waves blown back. When the wind blows the water white and black.  
We have lingered in the chambers of the sea  
By sea-girls wreathed with seaweed red and brown.
Till human voices wake us, and we drown

               MY HUMBLE ANALYSIS:

Meet Prufrock. (Hi, Prufrock!). He wants you to come take a walk with him through the winding, dirty streets of a big, foggy city that looks a lot like London. He’s going to show you all the best sights, including the “one-night cheap hotels” and “sawdust restaurants.” What a gentleman, he is! Also, he has a huge, life-altering question to ask you. He’ll get to that later, though.

Cut to a bunch of women entering and leaving a room. The women are talking about the famous Renaissance painter Michelangelo. I don’t know why they’re talking about Michelangelo, and I  never learn. Welcome to Prufrock’s world, where no one does anything interesting. 

Did we mention that it’s foggy. Like really, really foggy. The fog has a delightful yellow color, and it acts a lot like a cat.

Yawn. What a day. i’ve accomplished so much already with Prufrock. There’s still a lot of stuff he still wants to get done before “toast and tea.” People to see, decisions to make, life-altering questions to ask. But not yet…There’s still plenty of time for all that later.

Where did the women go? Oh, yes, they’re still talking about Michelangelo.

Yup. Pleeeen-ty of time for Prufrock to do all that really important stuff. Except that he doesn’t know if he should. He’s kind of nervous. You see, he was about to tell someone something really important, but then he didn’t. Too nervous. Oops! At least he’s a sharp-looking guy. Well, his clothes are sharp-looking. The rest of him is kind of not-so-sharp-looking. People say he’s bald and has thin arms.

But he still has pleeen-ty of time. And he’s accomplished so much already! For example, he has drank a lot of coffee, and he’s lived through a lot of mornings and afternoons. Those are pretty big accomplishments, right? Plus, he’s known a lot of women. Or at least he’s looked at their hairy arms, and that’s almost as good.

Prufrock says something about how he wishes he were a crab. Oh, Prufrock! Always the joker. Wait, you were serious? That’s kind of sad, my friend. Don’t you have important things to do?

Oops! It looks like he didn’t do that really important thing he meant to do. He was going to tell someone something life-altering, but he was afraid of being rejected. So he didn’t. Oh well.

Meanwhile, Prufrock keeps getting older. He doesn’t worry about that really important thing anymore. Instead, he worries about other important things, such as whether to roll his pant-legs or eat a peach.

Ah yes…the peach!  This is no ordinary question about fruit. This is perhaps the raciest line ever written…given the time in which it was written.  Again, ” Do I dare to eat the peach?”  Im not going to spell this out for you.  I think you now know to what the “peach” refers.

It turns out that Prufrock really likes the ocean. He says he has heard mermaids singing – but they won’t sing to him. Boy, you sure do talk a lot about yourself, Prufrock.

Finally, he brings us back into the conversation. He talks about how we lived at the bottom of the sea with him (geez, we don’t remember that one!). It turns out we were asleep in the ocean, but all of a sudden, we get woken up by “human voices.” Unfortunately, as soon as we wake up, we drown in the salty ocean. Boy, what a day. We thought we were talking a walk, and now we’re dead.

And we die…we drown. And in that moment we understand, finally, the message of his love song….

Does any of it really matter…life, love, indulgences, hope, fear? For we age, and in aging become, not someone, but something to laugh and point at. And then we die.

Makes you think, eh?

BE STILL, MY LOVE… by D.L.McHale


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Be still my love.

Shhhh…
There now, can you hear it?

Quietly,
within the shadows
of our mingled selves,
softly rising upon
the rhythms of our breath.

Rest now,
sweet angel of love.
Lie spent upon my breast
and listen;
surrender to the
symphony of our souls.

Feel your senses
dancing
to the chords
of desire’s keyboard;
delicate fingers
upon colored notes
within the crimson chambers
of our dream-soaked hearts.

Hear the song
echoing;
muted passion sirens
lilting lightly across
the dim-lit chasms
of our melded minds;
musical interludes
conducted
in sigh-minor.

See the trees
swaying;
laughing willows of lust
sweeping low over
our embrace;
bending sensuously to us
in morning’s whispered light.

Taste the waters
flowing;
melting fantasies
washing over our
quenched, naked forms,
cascading into deep pools
of ecstasy.

Smell the fragrance
rising;
desires fully blossomed
with petals of relief
falling, simply drifting
from the branches
or our love.

Touch the ribbons
floating;
colors blending
behind love-clenched eyelids;
blinding pastel visions,
stretching, softly binding
soul to soul in evening’s brief rapture.

Sleep deep, my love.

Carry this lullaby
into your hazy slumber,
and rest.

In the cool, gray light of morning
we will write another.

PERFECTED in the FORGETTING by D.L. McHale


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Your softness courses through my fingertips
a single kiss pressed upon my parted lips
sweet soft words spoken in the dead of night
as you pull me closer, as you hold me tight

…fragments of a waking dream
nothing in the rising is as it seems
a whisper in the timeline of memory
perfected in the forgetting of you and me

You were never the one for me
and I was never the one for you

There are empty roads enough to walk
No feet at which to lay the final fault
I will find my way in the absence of you
Forgotten love is like morning dew
It melts away as the day grows longer
As pain subsides, as the heart grows stronger

You were never the one for me
and I was never the one for you

To have loved and lost is all we have done
We wagered so much, so little was won
A temporaray madness, a soft siren’s call
The best we could do was cushion the fall
Neither breathless desire or passionate embrace
Love was the wisdom to let go with grace

You were never the one for me
and I was never the one for you

There is light to cut through the darkest night
I may wander for awhile but I will be alright
Thoughts wander now to a bright new horizon
The weight of our failing has finally lightened
Each memory lost, false love then betrayed us
A thousand miles stretch forever between us

I wish you joy and the fulfillment of dreams
….perfected in the forgetting of you and me

You were never the one for me
and I was never the one for you

PROMISES by D.L.McHale


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You ask if love’s forever –
A promise I can’t make,
But if I could, or thought I should
I would not hesitate.

I’d promise you forever
And then a day or two
If I were free to guarantee
Forever loving you.

But promises are born of doubt
A doubt that’s seldom real;
The love we know can only grow
In trusting what we feel.
 
Yet, I’ll promise you this moment
If words can still your fears;
Just hold me now and show me how
To love you through the years.

 

FAIRY TALES by D. L. McHale


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I wrote this poem 25 years ago. It was the beginning of my insanity! (photo credit: H. L. Cross)

Rainbows are illusions –
There are no pots of gold,
And unicorns have never grazed
In emerald fields of old.

No knight in shining armor
Has ever rode a day
To save a damsel in distress
And carry her away.

Merlin the magician
Was a phony and a fraud –
King Arthur but a fiction tale
That causes one to nod.

Wizards are a special breed
Of fantasy it seems,
And magic castles little more
Than figments of our dreams.

And what of dragons long extolled;
Flying lizards breathing fire?
I do believe the product of
Some pathological liar.

There dwell no trolls beneath the bridge
To thwart it’s passage way –
Belief in goblins, ghouls, and ghosts
Has long since passed away.

Wicked witches have never flown
On gnarled brooms of straw,
And gypsies with their crystal balls
Is truth stretched much too far.

And yet, of all these fairy tales,
The hardest to believe?
This silly notion we call “Love”…
What utter fantasy!

WHERE IS OUR STORY by D.L.McHale


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Death in Syria and Libya, financial collapse in Greece, fires in California, ISIS atrocities in Chattanooga, famine in the Sudan, murder by cop everywhere!

The list is endless.

Where are the uplifting stories?

Where are the tales of human heroism
that lift us beyond our everyday blues ,
the stories that reveal the true range
of human experience?

Are we shackled prisoners of a media
obsessed with the belief that the only thing that sells is grief and despair?

To overcome evil, we must be vigilant
about the abuses we humans bestow upon one another, stalwart against the evil forces of our inner demons.

We cannot stick our head in a bucket of wilted flowers and hope that things get better.

We need inspiration.

We need stories of triumph and victory.

We need to imagine and create.

Our imagination is a book of inspiration;
On its pages are found the stories of shared love,creativity, hope, and universal promise.

Ours is the story of lives imperceptibly bound, threads weaving a rich and colorful tapestry of humankind, of hope.

Where can we find hope?

It is found in our children, our future,
a new generation moving out into
and experiencing their worlds.

It is found in the creative outpouring of strangers ever reminding us that the true nature of humanity is to seek higher ground and to share with one another the voice of our inner genius.

It is found in the artists, the dancers, the poets and writers…the storytellers, the musicians, the singer’s, the community activists, the revolutionaries, the preachers, the atheletes, the lovers, and the loved.

It is found in the spiritual and collective vision of each of us.

The stories that diminish us will one day
be supplanted by those that lift us up!

Ours is a story of the capacity to love,
to overcome, to perservere.

DYSTHYMIA (Chronic Depression) by D.L.McHale


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It does not speak English, Spanish, French, or Italian, or any intelligible utterance known to this world.

It is a darkness devoid of spoken words;
a tongue savagely ripped from the mouth of the village idiot.

There are no pressed pages in braille
to sensate dull fingertips, to tap out the iniquity and the pain.

No painting of fingered words in the still air whispering into deafened ears.

It is the molten ashes of Vesuvius, cascading behind clenched eyelids; a scorching of the inner self. It is the babbling madness of Babylon chanting chattering confusion.

It is the silent scream that pierces the morning sky, the shrieking wind that rips the sparrow’s wings from its tender breast.

It is the desperate gasp for air from collapsed lungs, the tortured artery that bleeds the brain.

Beneath the ocean’s swell, the riptide that pulls one asunder to the blue-black abyss,  a dark star consuming itself, devouring light into the shadows of its belly.

A twisted comfort in the unfeeling, a slap in the face of the unsmiling.  Distant and cold eyes – unfocused, unseeing.

A banquet of burning bone and marrow before demons dancing to noteless music.

I CHOOSE LOVE


(Music video by Shawn Galloway)
(Poem by D. L. McHale)

to suffer is to love
to love is to suffer…

I have known life
I have known love

I choose love

I have known hate
I have known love

I choose love

I have known loss
I have known love

I choose love

I have known death
I have known love

I choose love

to suffer is to love
to love is to suffer…

only through love
can I hope to endure
life, hate, loss and death
each comes to me in their seasons
each comes to me in full abundance
and when the merciless winds
of suffering settles the dust

…there is love

to suffer is to love
to love is to suffer…

does not the agony of birth
seal both mother and child
in eternal embrace?

…there is love

Do not the ministrations
of passing Samaritans
heal the savage wounds of
abandoment, hunger and hate?

…there is love

Did not the sacrifice and the blood
of the Lamb upon the cross
wash away the sins of man?

…there is love

the sweet release of death
fully sanctifies the meaning of life
as loving family and faithful friends
gather together to shelter …in love

to suffer is to love
to love is to suffer…

neither are mine to refuse

I can not. I must not…I will not!
I can not. I must not…I will not!

for I have chosen love

The Receding Tides of Love by D. L. McHale


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It is easy to say goodbye – to meet again is hard.
Love gone like rose petals fallen on flowing waters.

My thoughts of are like flowing waters, meandering toward the open sea on a hopeless journey.

In time, washed away over a burnt and fading orange horizon.

My hope, too!

The north wind blows! Oh, how it blows, mercilessly cutting with icy fingers into the quick of me…

Here on the ocean it’s endlessly cold!

My home is at the bend of a crumbling, salt-soaked pier. I watch a lone white sail at heavens’ end – like a waking dream, quickly gone – who can I ask where?

Darkness descends upon the endless sea.

We had often walked upon warmer, infinite sands, pressing our bare heels into the foaming wetness.

Your footprints were swept away too quickly…swallowed by the receding tides of love.

This cold empty beach was never what I wished; these scattered empty shells speak of inevitable ends.

The beauty of the ocean’s edge declines more year by year, memories pulled into the deep forgotten blue with each retreating wave.

As the sun goes down,  chilling lunar winds descend, whipping the sands, stinging my face.

With beauty comes inevitable pain!

To hear seagulls cry, or see pelicans on the fly makes me sorrow even more.

Oh, how I lack the courage for this day!

Wrapping solitude around me like vaporous veil, I turn for home – or what I once call home:

an empty room, a quiet room,
an empty bed, a quiet bed
my refuge from the darkness
my refuge from the light

In deep deception, imagining I’ve found a place that suits me..
I have made my home amidst this mighty shore, yet I can no longer bear the crashing of the ocean swells.

Outside my window, all the butterflies are white – a pair flitter over the dying garden’s light.

These damn reflections – they damage my heart!

Two tears trace two lines down my face, falling upon the ocean’s beaten coast.

Separated from the loving and the unloving: I have not often thought of her, but neither can I forget. We would not recognize each other even if we met again.

My face is covered with sand, my temples glazed with ocean foam.

In deepest darkness of night, a sudden dream returns me to her arms; we look at each other without a word, a thousand recriminations flow.

I know that this must have some deeper meaning. It must!

My muse lifts me from my sickly slumber, and smiling, asks me to write a poem, as though verse might somehow soothe this savage state!

I try to write the pain away, but there are no words.

Tonight, the ocean’s wind enters through the window. Torn gauze curtain starts to flutter and fly.

I turn slowly in my bed, looking up at the bright moon and send my prayers a thousand miles into light.

ABSTRACTIONS by D.L. McHale


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"Abstractions" pen and ink on rag paper: by Dennis McHale© 2015

ABSTRACTIONS

Her sexual abstraction takes even the most depraved of men by surprise.

     She boasts of her conquests
     in morning’s breaking light
     as she brings her legs
     back together

How often she surprises even herself.

This is not a woman really known for her purity! Still, if you know the woman just from her sexual exploits, go immediately to the back of the class.

     If you are foolishly tempted to label
     her, she’ll simply switch gears

An entire life of mythic proportions;
her world feels stage managed,
yet she deserves credit
as stage manager.

     She likes to demurely deny
     that she even likes sex

As props go, men simply come cheap.  She revels in their adoration, devoting herself in putting them through their paces.

She has a love-hate relationship with her own myth, but both the love and the hate feeds her savage seduction.

      When an image of herself becomes
      predictable, she throws it away and
      starts over

Before long she’ll present 
abstractions as true love,
far from free offerings
of softness of flesh.

Uninvited overtures will snap shut all sexual overtones, presenting the cold indifference of virginal chastity.

     She boasts that “nothing like me has
     ever come into this world before”

She seductively presents as a woman shaping and reflecting the male gaze, posing nude with her hair drawn tightly back from her classic bone structure.

When she tires of their perversities,
she silently re-emerges clothed,
with her hair down
and a soft pressed smile beneath –
pale eyes downward cast.

She’ ll move slow and with purpose
from empty room to empty room –
her dress hanging loose and full,
denying her sultry curves; as chaste
as a newly ripened peach.

     Abstraction as revelation,
     shifting effortlessly
     from sultry siren
     to matronly madonna.

She is a mixture of soft pastels
and vibrant splashes of watercolors, with whiplash-inducing impulsiveness.

    When she loves, her colors
     have sudden explosive intensity.

    When she hates, she progressively
    tightens and redefines herself.

The lack of any real separation
between reality and abstraction
is not to be carelessly measured
between sunrises and sunsets;
It is found in labored, tortured breaths
drawn between clenched teeth.

“Anything but flatness,”  she prays
as the darkness of night envelopes her
and carries her in its downward spiral.

By that time, it has become all but empty of feeling. The show opens with a dull if surprisingly contemporary picture of clouds,

     After so many years
     of living in the eternal,
     Of loving in the abyss
     she has adopted a view
     from above the clouds.

Abstractions, her long and lonely hours
down to the bones and the wilted flowers,

Angels and Demons: An Affirmation of One Woman’s Life by D.L. McHale


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There is much power and beauty in her world, yet her soul is divided into two houses:

I.
One is sparce and darkly decadent, surrounded by high windowless walls; there is very little color to break the monotony, and its gate is usually locked.

This house is full of decaying art – the crudely painted memories left by people who felt their life had been changed by divine intervention, offering eternal love for her with promises that were falsely laid.

II.
The other house is rich in colour, its thick outside walls washed in strong blues and reds.
In this house, the gate is flung wide open, and on the patio outside there are clay pots and plates all decorated in a kaleidoscope of vibrant, living colours.

Inside is a tiny virginal bed with a mirror above it reflecting back the inconsistent themes of her life.

III.
She wears her silken hair in ebony rivulets cascading in loose waterfalls down her gently curving back; she takes great pride in the delicate scar across her upper lip, a reminder of the evil that dwells in the angry guts of jealous men.

Her clothing echoes her hair – she dresses in embroidered shirts and wide floor-length flowing skirts, swirling in the warm summer winds of her womanhood.

All of this colour and dynamism reflect her conflicted character; the turbulent and contradictory life she lives.  Her own story is both tragic and uplifting; the essence of her more provocative, daring and strange spirit.

Indeed, in some ways the dichotomy of her life are chapters in a long autobiography, paralleled and matched by her inner angels and demons.

This internal schism is refracted through the broken shards of a glass imagination, a constant yearning to fill the void within her. And in that complex yearning, another looming presence which was impossible to escape.

IV.
Her secret love, her one true love, is a huge man who looks even more enormous beside her diminutive body. He is a constant (but not faithful) companion.  She both loves and loathes him, in constant and equal measure.

The relationship between the two is fraught with conflict and anger. So it might be strange to see the two lace cloths embroidered with their names lying across the pillows of her bed.

There is in her life a curious blend of love, betrayal, hope, and long-suffering sentimentality coupled with a harsh frankness about herself – a combination that seduces many people – not only him.

V.
Each night, she gently and quietly untangles herself from his sleeping embrace and makes her way by moonlight to her gray, colorless house with the locked gate.

She indulges in intense relationships with faceless women and men, offering her backside to conventional morality. But in the cool grey light of morning, she folds herself once more into the warmth and safety of his arms.

This constant terrible pain is a permanent feature of her life, yet it does not restrain her. In some ways it makes her wilder and more uninhibited. For much of what compels her life is about pain, and the terrible fragility of her body compared with the resolution of her mind.

Each day she deals most explicitly with the paradox of excruciating joy and exquisite pain.

VI.
Her alter egos are attached by fragile vessels which are not easily cut – hence the bloodstained scissors resting on her white dress. The lush landscape of her dreams seem inaccessible because of the thorny brambles around her neck.

While she might appear, with her beautiful traditional dresses and her tiny broken body, like the ‘perfect doll’ that all men and certain women desire, she is nonetheless fulfilled in her own right, and pursues sexual fulfilment and monogamous peace with equal fervor.

A ribbon around a bombshell.

She is inexplicably wrapped in endless  layers of the full spectrum of human experience and the unbidden possibilities in human understanding.

She senses affirmation in the enormous potentiality of both houses and the unique power of being a woman once freed from constraint.

She is fighting a revolution within herself.

VII.
Hers is a life of two-way narratives. Of unimaginable passions and failed restraint. An existence made all the worse by sadness, distress and a brutal sense of betrayal. Made all the better by the wanton surrender to the possibilities and potential of a woman’s body.

This is the permanent consequence of her life. Yet the often violent and disturbing intersection of her two houses within her soul provide ironic affirmations of life; there is beauty in both, not only in the qualities of conventionality, but in the power and strength of the life itself.

She is full of curses and imprecations interwoven with lyrical images and fragments of poetry. Her dualism defies fatalism with their colours, their endlessly surprising meetings of image and meaning, their powerful assertions of her womanhood.

VIII.
She is both madonna and whore, and she is perfect in her imperfection.
Full of hurt and pain and yet equally bursting with life, defiance, and rebellion.
She is an ever-evolving act of defiance, a challenge, a continuing affirmation of life itself.

The Receding Tides of Love


receding tide

It’s easy to say goodbye – to meet again is hard.
Love gone like rose petals fallen on flowing waters
My thoughts of her are like these flowing waters,
Meandering toward the open sea on their hopeless journey.
In time, washed away over a burnt orange horizon.

My hope, too!

The north wind blows; here on the ocean it’s cold.
My home is at the bend of a crumbling, salt-soaked pier.
I watch a lone white sail at heavens’ end;
Like a waking dream, quickly gone – who can I ask where?
Darkness falls beside the endless sea.

We had often walked upon warmer, infinite sands
Pressing our bare heels into the foaming wetness.
But one set of footprints are swept away too quickly
Swallowed by the receding tides of love.
This cold empty beach was never what I wished;
These scattered empty shells speak of inevitable ends.

The beauty of the ocean’s edge declines more year by year.

As the sun goes down, a chilling wind appears
Whipping the sands, stinging my face…a reminder
That with beauty comes inevitable pain –
To hear seagulls cry, or see pelicans on the fly
Makes me sorrow even more.

I lack the courage for this day.

Wrapping solitude around me like a mother’s arms
I turn for home – or what I now call home –
An empty room, a quiet room, an empty bed, a quiet bed;
My refuge from the darkness and the light.
Myself, I think I’ve found a place that suits me..
I have made my home amidst this mighty shore,
Yet I can no longer hear the crashing of the ocean swells.

Outside my window, all the butterflies are white,
A pair flitter over the dying garden’s grass.
They are damaging my heart!
Two tears trace two lines down my face,
I send them to the ocean’s beaten coast.

One full year now separates the loving and the unloving;
I have not often thought of her, but neither can I forget.
We would not recognize each other even if we met again,
My face is covered with sand, my temples glazed with ocean foam.
In deepest night, a sudden dream returns me to her arms,
We look at each other without a word, a thousand tears now flow.

I know that this must have some deeper meaning.
My muse lifts me from my sickly state,
And smiling, asks me to write a poem
I try to write the pain away, but cannot find the words.

Tonight, the ocean’s wind enters through the window,
The torn gauze curtain starts to flutter and fly.
I turn slowly in my bed, looking up at the bright moon,
And send my prayers a thousand miles in its light.

The Dying Sun


In the bitter waves of loss,
Thrashed and tossed about,
By the sullen winds of life that blow,
From the desolate shores of doubt,
Where the anchors of love once cast
In search of eternal purchase
Now dragging useless in sorrow’s gale.
I am quietly holding fast, holding alone
To the things that cannot fail.

Why?

That’s what I seek (although my heart knows full well)
The truth is, I may never be able to know for sure why.
But I do know that there is no single
“Should have done” or “could have done”
Or “did” or “didn’t do”
That would have changed that why.
All that love could do was left undone.
This shipwreck, my castaway life,
This endless frothing of cold, death-capped waves
Was due to my taking my eyes off the horizon
Where our dreams were setting with the dying sun.

Letting Go


It is human nature to become too attached to things or people.  Learn how to let go with grace.
It is human nature to become too attached to things or people.
Learn how to let go with grace.

Letting go of regrets is not some passive undertaking. 

Regret is a weight that anchors us in the past,
rendering the future as unobtainable.

Letting go takes courage and lots of sweat.
It takes a willingness to allow pain to run its course.
We are forever changed by the failures of yesterday.
Who we are today barely resembles who we were yesterday.

The heartaches and the pervasive sense of loss
can either pull us down into the morass of self-pity,
or it can catapult us from the depths of relentless sorrow
to the heights of new joy.

It all depends on upon a readiness to face the sun
as it rises upon a new day.
Upon how hungry we are to feed the possibility
that something more, something better
awaits us in the infinite possibilities of tomorrow.

Memories are like a cracked mirror;
they can only serve to offer us
a distorted reflection of our true selves.
Memories seduce us with useless thoughts and images
of what was, of what might have been.
But memories are a poor substitute
for imagination and hope.
If we are ever to break free from the shackles of our past,
we must first wean ourselves from our addiction to memories.
Our addictive behavior is the root of all suffering.

But much like the heroin addict
who struggles and writhes in agonizing pain
as he kicks his deadly habit,
we, too, must find  within ourselves
the strength and courage
to kick our dependence on self-recrimination
and useless reflection.

The soul is a restless being;
it is constantly expanding
and demanding room to grow
and to breathe.
Let’s be honest –
the air has been sucked from yesterday,
and when we exist with our hearts and our feet
planted in the past,
we deny our souls the essential life force
needed  to carry us further
toward our fullest potential.

In the very moment that we let go,
we invite a rapture that can feed and satisfy the soul.

Be brave. Face the emptiness.
Wrap yourself in self-love.

Breathe again.

Live once more.

Love Fulfilled Beneath a Dying Light


When the sun sets, when its dying rays
filters through my bedroom window
I get the full brunt of this powerful star.
It is beautiful and blinding.
I feel its warming fingers softly caressing
my cheek; it dries the last traces of my tears.

Today, as the sun came into its latitude
to be shining directly on me,
I closed my eyes beneath its warmth
remembering brighter days.
Was this the same sun that kissed us
on our first walks upon the beach?
Was this the same sun that cast
its light on our wedding day?

Many people have expressed their love
to both of us throughout this process,
and many people have let us know
that it may be God’s will this, or God’s will that.
And it may well be.
But I know one thing.
We were both born of this organic, living universe.
Star matter is within us. We are forever connected
beneath the arch of its healing light.

I have never felt more in the presence of the supernatural
than today, with this mighty being shining on us,
me here, in my thoughts, you, there, wherever you are.
I can almost see the last breaths of our togetherness
in the stardust that once showered the idea of “us”
being pulled back towards that Sun.
It is as if the Sun had decided to choose this moment,
to envelop the two of us in divergent beams of light,
and take us back, separately, back to the stars.

In a way, it is beautiful.
This Sun, our Sun, reminds me
to live more fully, more appreciatively, and more happily.
I won’t think of a marriage that has died.
I’ll think of those moments we had to dance in its light.
With much love and sadness.

She Will Come


I’ve spent my nights in silent yearning
For a beautiful love that will not perish

And she who will soon come to me
In the time of soft plum-blossoms

When the air is full of songbirds singing
When the sky is a delicate caress;

She will come
With a mist of stars about her

And great beckoning plumes of smoke
Upon her leaping horses.

And she will bend suddenly and clasp me;
She will clutch me with fierce arms

And stab me with a kiss like a wound
That bleeds slowly.

But though she will hurt me at first
In her strong gladness

She will soon soothe me gently
And cast upon me an unbreakable sleep

Softly forever.

 

 

 

Genie, You’re Out! (Or Reflections on the Death of Robin Williams


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I am devastated about the loss of Robin Williams, as are the millions of his fans, and more so by the fact that he took his own life.  Despite all of his money and all of his available resources, depression reached its bony fingers into his life and dragged him to an untimely death (as it certainly has for millions of others!)  Drugs and alcohol are certainly a part of his story, but make no mistake…this is a story about the savage blow of depression.  The pills and booze were only a symptom of Robin William’s sad demise.  Depression was the death blow.

If you have never suffered from the savage effects of deep depression, you might find it hard to comprehend his decision to take his own life. Depressed people don’t kill themselves out of quote ‘hopelessness’ or any abstract conviction that life isn’t worth living. And surely not because death seems suddenly appealing. Depression is an invisible agony that for many reaches a certain unendurable level where life and death are near equal terrors and death becomes a lesser terror than living.

For those who decide to take their life, they spend their final days and hours in much the same way a trapped person eventually chooses to jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire’s flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It’s not desiring the fall; it’s terror of the flames.  For the depressive suicidal, it’s not the desire of death, it’s the terror of living. And yet nobody down on the sidewalk, looking up and yelling ‘Don’t!’ and ‘Hang on!’, can understand the jump. Not really. You’d have to have personally been trapped and felt flames to really understand a terror way beyond falling.

In this same way, a person who doesn’t suffer the agony of depression will never be able to understand the torments and terrors suffered by those afflicted. Never. Just as depression is an invisible agony, so, too is the understanding of true depression invisible to those who do not suffer it.

We can, and should, have a conversation about depression, but unless you’ve ever stood on a ledge with flames coming closer and closer, you will never truly understand the agonizing decision to jump.

Rest in peace, Robin Williams..Genie, you’re out!

Mistress Moon


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Her face is frost etched glass
floating in the blue-black winds of the night;
she illuminates footsteps hushed
on decayed and dampened leaves;
grieves for freshly planted souls
who have turned from the light of day.

Her midnight corset is tightly laced
by the dazzling tails of falling stars;
she moves in phases
with the  tempered grace of a childless empress
wandering silently and with bowed head
through the cold shadows of winter’s garden.

She seduces the wolf and the poet
with equal ambivalence, each of whom
compose for her dream-soaked arias
and haunting sonnets that speak of
promises never meant to be kept.

She mourns her  powdered reflection
as it ripples across frozen lakes:
hides behind silver-lined clouds when
she can no longer bear the loneliness
of her shadowy journey across granite
mountaintops and sleeping meadows.

At last, in the cool, grey light of morning,
as the sun softly caresses her porcelain
cheek with warm fingers of breaking light,
she sighs but once, then slowly fades into
the rose colored blush of a new day.