The Gray by D.L.McHale


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Painting by Richard Tauschman, 2015 ©

Again the dawn is drawn as gray
amidst design of dream.
That is to say the wall’s become
more ashes than of cream.

Request, I did, a paint’s renew
to warm a darkened room,
entrusted monetarily
for light to thrill the doom.Perhaps designer’s relevé
became black’s dance with white,
a while to beam my dream of cream
into a fainted night.

And so it is this mix, this stain,
awakens dawn’s portray
and sends, as if the heart of Man
to gray… to gray… to gray…

South Carolina

THROUGH A LOOKING GLASS DARKLY


I grew up in Wonderland. I can say this now, after having lived and died a little in some of the ugliest cities. Brevard, NC is an impossible town, and it should have died like it did every night at 9 PM when the traffic lights down town went off duty and reverted to four-way flashers. It should have hemorrhaged to death when so many of us left it, bleeding.

Life after Brevard consisted of marrying your high school sweetie, snagging a second shift job at Du Pont or Olin with the right influence, and hopefully, getting a double wide so say, in ten years and with a lot of overtime, you’d get a real home one day. Or you could get out, go to college, find a decent job never once thinking of the wounds or how inane it was, back then.

Exactly an hour later almost as an addendum, the one TV channel with consistent reception reminded our parents it was 11 o’ clock, and somehow, as if it were possible, not knowing where we were was the last thing they heard, the constant back question: Do you know where your children are?

Yes, we were cuturally deprived. The population inside city limits strained to top 5500. You knew everyone and everyone knew you, and even if you did not comprehend it, there was security in this, and a little resentment at not being able to live so unanonymously. The lone radio station was AM, and on week nights, the melodious voice of John Anderson brought us serenely to “the close of another broadcast day”, promptly at 10 PM and the strains of his voice were the last heard of the day for many of us.

You waited on everything in Brevard, and you waited for Brevard to catch up to the rest of the world, but it could not, and you knew it.

Mustangs, Barracudas, Chevelles, Impalas- all those horses and nowhere to run- the dichotomy of excess speed in a town that prided itself, almost to the point of codification, on operating at the pace of thickening molasses.

Go ahead and laugh at this, but on Friday nights in summer, the parking lot which now comprises Princess Plaza was cordoned off for square dancing. Do-se do, I kid you not. The whole town turned out. You slapped your face with Canoe or English Leather, slick in your favorite jeans, leaning against -something-until you found the courage or waited for the competition to die down so you could sidle up to Anne or Beth or Cindy or Marsha and ask for this next round?

You could not help but worry just a little because what if the Hokey Pokey really IS what its all about? How would you know? Left foot in, do-se-do.

Maybe you’d get lucky. Maybe a friend shared a can of beer with you, fresh from a “run” to Hendersonville. Not enough so you could feel it, but enough to leave a taste in your mouth for more, and enough to taint your breath and enhance your image. Image was all we had at times.

The bowling alley was the hottest place in town, except of course for Hardee’s. Before everything and after everything, there was Hardee’s. The simplicity of it was its appeal: you want to be found, go to Hardee’s. There you’d catch a glimpse of a wild Mustang perhaps, or split an order of fries. Even the cops had names like “Elvis” and “Tinker” and most of the time, they’d be hanging too, only parked conspicuously in the center of the lot with the window down.

Paegentry and dances were relegated to the American Legion, and we cut up, showed off, smoked an joked under the ancient machinery of a WWII anti aircraft gun whose trajectory would have placed a round about three feet over the court house and made impact say, close to Wal Mart, windage and elevation being considered.

To the students at Brevard College we were “townies”; to the tourists we were “hicks”. Always, there was this battle for our own town. Some of us fought it while others hung back considering Brevard not worth an ass kicking. But we shared a common perplexity, and try as we might, could never grasp the concept of driving 100 or maybe 150 miles just to look at LEAVES. White squirrels were common as mud, and any kid who had his driver’s license over 60 days knew every waterfall within 30 miles by rote.
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As inevitable as daffodils in spring were the well-intended young women who arrived from UNC-Asheville. I never asked, but there had to be some deep spiritual power that propelled them onto the capstone of the court house retaining wall to save our dying town.

This was done usually at the top of their rather expanded lungs and usually, when mixed with the background of traffic, was for the most part unintelligble. But you learned to read their faces and even if you missed your appointed hour, you knew something serious was going on, and that there would surely be a next time.

“The City On The Hill” has been euphemised since the time of the ancients. In the Bible, it signifys both strength and depravity. Nostradamus saw it over and over and over. Those few of us fortunate enough to have lived there knew its pinnacle conjoined at the corner of Main and Jail House Hill, precisely where the wisewomen from Asheville stood.

They call Rome the Eternal City. I argue with history from time to time.
If you lived this Brevard, you know it like you knew your first kiss, you know it now with your eyes closed, it has always been. It resides on tongue- tip like the good news ready to spring forth across the land, it is deeper than skin, a fabric of which a part of you is indelibly woven.

My best years. Wonderland and “The Last Picture Show” with a Buck Owens twist. Red pill or blue, it is waiting for you.

THE ARTIST AND THE ROCK by Dennis McHale, 2017


Love

This poem is dedicated to all members and artists of The Rock of Ages Consortium, for your love and support of fellow artists everywhere who we honor on this site by exhibiting their incredible works of “colour” online.

“I am a Rock! and yield to none!”
The swelling words of a tiny smooth stone,
“Neither time nor season can alter me;
I am abiding, while the ages flee.
The pelting hail and the drizzling rain
Have tried to soften me, long, in vain;
And the tender dew has sought to melt,
Or touch my heart; but it was not felt.
There’s none that can tell about my birth,
For I’m as old as the spinning earth.
Generations of man arise and pass
Out of the world, like the blades of grass;
And many a foot on me has trod,
That’s gone from sight, and under the sod!
I am a Rock! but who art thou,
Painting beneath the restless bough?”

The painter was shocked at this rude salute,
And lay for a moment abashed and mute;
She never before had been so near to here
A rock that spoke, this mundane sphere;
And she felt for a time at a loss to know
How to answer a thing so coarse and low.
But to give reproof of a nobler sort
Than the angry look, or the keen retort,
At length she said, in a gentle tone,
“Since it has happened that you were thrown
Into this river that’s become your home
From beneath this tree, as a child I grew,
Now listening to a stone, so hard and new.”

And so it shall be, this Rock that speaks to me,
I will cover it with paint, and then we’ll see,
And quickly adorn with the stroke of my brush
It’s time, it’s season, it’s storm, it’s touch,
Not the gentle dew, nor the grinding heel
Shall ever subdue, or make it feel
Abandoned, unloved, unwanted, alone
For I’ll paint this rock and take it home.
But soon, from this Rock, she sunk away
From the comfortless spot where the pebbles lay.

But it was not long before the soil broke
The artist sat once more ‘neath mighty oak!
And, as she painted and painted; the colors spread,
The Rock looked up, and wondering said,
“Modest artist!  Please, I shall never to tell
If you covered me in paint, this granite shell;
See the pride of the river has swallowed me.
Won’t you pick me up? Won’t you set me free?
Am I to meekly sink in the darksome earth,
Never to attain my potential, my worth!
And oh! how many more will tread on me,
While you sit and paint beneath this beautiful tree?
Your artistic vision towering towards the sky,
Can transform such a Rock as worthless as I!
Useless you release me, for centuries here,
I’ll be sitting in this riverbed from year to year.

But never, from this, shall a complaining word
From the painted Rock again be heard,
For the artist transformed it, without and within,
Gave it new purpose, and love again.
The Rock its vow she could never forget,
It lies brilliantly painted in painted silence yet.

BEHOLD, MY LIGHT by DLMcHale


 

I wrote this poem a few years ago the night I visited the haunted
lighthouse in St. Augustine and then I lost it….until tonight!

Behold, my light so brightly burning
Guiding wayward sailors home.
Covered in breaking waves now churning
Battered ‘neath the angry foam

Awake, my Captain; tend my fire
The ships are blind upon the sea
Night has come so dark and dire
Bring them safely home to me

Push back your fear and never fail me
Do not tarry, nor think twice
No time for prayers on bended knee
The sea demands her sacrifice

Many a keeper survived the commotion
Tending my flame with ardent care
Many more forever lost to the ocean
Swept from my winding, icy stair

I am the hope of every seamen,
Warning of the rock and shoal,
And you, my Captain, tend my beacon
With all your heart and weary soul.

 

SNOQUALMIE FALLS by D.L.McHale


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Salish Lodge, Snoqualmie Falls, WA

The ground beneath my feet rumbles.
Softly at first, and then with each step
increasing in its timbre.

The air is damp and mossy with a gray light
filtering through the canopy of spruce and pine.
Wet thunder rises; my ears are muted
by the intensity of a river plummeting
over slick rock lips;
a roiling, massive death spiral.

Half the volume swan dives elegantly
hundreds of feet into a pounding foaming white pool,
while my pounding heart matches the outpouring,
beat for beat.
The other hangs mistily in the frigid air,
gently nourishing the brown-green algae with its spit.

I cannot help but marvel at the sheer anger of it all,
wondering how many open-mouthed bass
thrust forth into open space, gargoyle-eyed as
the river disappears beneath them,
recognize this as the end of their swim?

Death, anger, power…and yet
so serenely beautiful

Rage on, Snoqualmie,
before the winter’s freeze deprives you
of your liquid dance!

 

EMBRACING CRITIQUE by D.L. McHale


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One of my closest friends confessed to me today that she was strongly contemplating giving up her blog because one of her readers keeps disparaging every written entry as “amateurish” and “meaningless.”  I told her she should be thankful that she had at least one devoted fan who felt so compelled by her writing that he simply had to take the time to respond to everything she writes. You can’t buy that kind of loyalty.

Sometimes you just have to shout into the void to know you still have a voice, and that the echo that ricochets back is someone else’s acknowledgment that you’re not alone.

LIVING FOR TODAY: NECESSARY CHOICES by D.L.McHale


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Three Roads: Yesterday, Today, and Tomorrow. Which One Shall I Choose?

The reason most people find themselves stuck in a rut is because they insist on seeing tomorrow as an extension of today, and today as an extension of yesterday. This has been the most difficult, and necessary, lesson of the past year and a half of my life. My ignorance in adhering to this faulty belief invited me to# voluntarily step into mental leg irons that have no key. It has hobbled me in everything I have striven to achieve, for it is a false assumption and a dangerous one at that.

Yesterday is a story that has already been told. The book is closed. The lessons, oh dear God, hopefully, learned. No amount of regret can change the ending of a story that is now complete. How can I ever hope to begin a new chapter if I continue to dwell upon an ending that cannot be altered? My past has served its only purpose, which was to instruct and to deliver me to today. My only regret, my biggest regret, is that the lesson came at such a cost to another.

Today is all that truly matters. Today, I write the story, big or small, dull or incredible…the words are all there – and it is up to me to arrange them as I see fit. I am the protagonist. Only I can determine whether I turn left or right, whether I move forward, stand still or retreat backward. I have come to the realization that to stand still or move backward is to settle for a weak plot. Only in moving can the inspiring stories be written… and written well.

And of my tomorrow? It is nothing more than a blank piece of paper not yet ready for mwhatforwardy pen. If I live with one foot planted in today and the other in tomorrow, all I will have managed to do is straddle the fence of possibility. To be stuck on that fence is to surrender half of the possibilities of today. I have chosen to get off of the fence and plant both feet firmly on the path of “ Now.” The fallacy of tomorrow is the falsehood that I need to “plan for.” Plan for what? All the things I missed today?

This worldview is not clever or unique. I did not come up with it. Smarter minds than mine have been advocating this for eons. I am just serving as the echo of their wisdom. If I choose to live fully at this moment which is today, I have no choice but to surrender yesterday to the sweetness of memory, and tomorrow to the providence of faith.

Beginning now, I choose to immerse myself in the wonder and infinite possibility that is today. I do so with the humility to comes from the sacrifices of others who helped me find my way.

ABSTRACTIONS by D.L. McHale


abstractions

Her sexual abstraction takes even the most depraved of men by surprise.

She boasts of her conquests
     in morning’s breaking light
     as she brings her legs
     back together

How often she surprises even herself.

This is not a woman really known for her purity! Still, if you know the woman just from her sexual exploits, go immediately to the back of the class.

If you are foolishly tempted to label
     her, she’ll simply switch gears

An entire life of mythic proportions;
her world feels stage managed,
yet she deserves credit
as stage manager.

She likes to demurely deny
     that she even likes sex

As props go, men simply come cheap.  She revels in their adoration, devoting herself in putting them through their paces.

She has a love-hate relationship with her own myth, but both the love and the hate feeds her savage seduction.

When an image of herself becomes
      predictable, she throws it away and
      starts over

Before long she’ll present
abstractions as true love,
far from free offerings
of softness of flesh.

Uninvited overtures will snap shut all sexual overtones, presenting the cold indifference of virginal chastity.

She boasts that “nothing like me has
     ever come into this world before”

She seductively presents as a woman shaping and reflecting the male gaze, posing nude with her hair drawn tightly back from her classic bone structure.

When she tires of their perversities,
she silently re-emerges clothed,
with her hair down
and a soft pressed smile beneath –
pale eyes downward cast.

She’ ll move slow and with purpose
from empty room to empty room –
her dress hanging loose and full,
denying her sultry curves; as chaste
as a newly ripened peach.

Abstraction as revelation,
     shifting effortlessly
     from sultry siren
     to matronly madonna.

She is a mixture of soft pastels
and vibrant splashes of watercolors, with whiplash-inducing impulsiveness.

When she loves, her colors
     have sudden explosive intensity.

    When she hates, she progressively
    tightens and redefines herself.

The lack of any real separation
between reality and abstraction
is not to be carelessly measured
between sunrises and sunsets;
It is found in labored, tortured breaths
drawn between clenched teeth.

“Anything but flatness,”  she prays
as the darkness of night envelopes her
and carries her in its downward spiral.

By that time, it has become all but empty of feeling. The show opens with a dull if surprisingly contemporary picture of clouds,

After so many years
     of living in the eternal,
     Of loving in the abyss
     she has adopted a view
     from above the clouds.

Abstractions, her long and lonely hours
down to the bones and the wilted flowers.

Love Fulfilled Beneath a Dying Light


When the sun sets, when its dying rays
filters through my bedroom window
I get the full brunt of this powerful star.
It is beautiful and blinding.
I feel its warming fingers softly caressing
my cheek; it dries the last traces of my tears.

Today, as the sun came into its latitude
to be shining directly on me,
I closed my eyes beneath its warmth
remembering brighter days.
Was this the same sun that kissed us
on our first walks upon the beach?
Was this the same sun that cast
its light on our wedding day?

Many people have expressed their love
to both of us throughout this process,
and many people have let us know
that it may be God’s will this, or God’s will that.
And it may well be.
But I know one thing.
We were both born of this organic, living universe.
Star matter is within us. We are forever connected
beneath the arch of its healing light.

I have never felt more in the presence of the supernatural
than today, with this mighty being shining on us,
me here, in my thoughts, you, there, wherever you are.
I can almost see the last breaths of our togetherness
in the stardust that once showered the idea of “us”
being pulled back towards that Sun.
It is as if the Sun had decided to choose this moment,
to envelop the two of us in divergent beams of light,
and take us back, separately, back to the stars.

In a way, it is beautiful.
This Sun, our Sun, reminds me
to live more fully, more appreciatively, and more happily.
I won’t think of a marriage that has died.
I’ll think of those moments we had to dance in its light.
With much love and sadness.

She Will Come


I’ve spent my nights in silent yearning
For a beautiful love that will not perish

And she who will soon come to me
In the time of soft plum-blossoms

When the air is full of songbirds singing
When the sky is a delicate caress;

She will come
With a mist of stars about her

And great beckoning plumes of smoke
Upon her leaping horses.

And she will bend suddenly and clasp me;
She will clutch me with fierce arms

And stab me with a kiss like a wound
That bleeds slowly.

But though she will hurt me at first
In her strong gladness

She will soon soothe me gently
And cast upon me an unbreakable sleep

Softly forever.

 

 

 

Of Love Lost


 All the dreams I dreamt
Will vanish like the morning fog
When at last I awaken,
And something tells me that day is come.

Still that final goodbye echoes fresh—
Oh, how we, both she and I
First kissed as the sun went down.
Will she ever return? I cannot say.

The door creaks.
A sudden whiff of the lost and familiar…
A day with her lost among the days without.
Once more the door creaks.
Who is it?
I have no voice left;
The last candle is almost out.

Painting by Adrian Calin
Painting by Adrian Calin

Mistress Moon


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Her face is frost etched glass
floating in the blue-black winds of the night;
she illuminates footsteps hushed
on decayed and dampened leaves;
grieves for freshly planted souls
who have turned from the light of day.

Her midnight corset is tightly laced
by the dazzling tails of falling stars;
she moves in phases
with the  tempered grace of a childless empress
wandering silently and with bowed head
through the cold shadows of winter’s garden.

She seduces the wolf and the poet
with equal ambivalence, each of whom
compose for her dream-soaked arias
and haunting sonnets that speak of
promises never meant to be kept.

She mourns her  powdered reflection
as it ripples across frozen lakes:
hides behind silver-lined clouds when
she can no longer bear the loneliness
of her shadowy journey across granite
mountaintops and sleeping meadows.

At last, in the cool, grey light of morning,
as the sun softly caresses her porcelain
cheek with warm fingers of breaking light,
she sighs but once, then slowly fades into
the rose colored blush of a new day.

My Life’s Palette by Dennis McHale


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It all began
with the glowing green meadows;
cool, dew-moistened blades of grass
softly pressed into the shape
of a young boy’s naked feet running
frivolous and joyous
in the backyards of my innocence.

In time, the azure-blue skies
puffed with the carefree brilliant white cotton-candy clouds
of my adolescence fed my wandering dreams,
lifting me to new heights,
pressing me tenderly against the heavens.

In my teen years, the skies grew heated
beneath the raging, orange-flecked storms
battering the massive walls of my pubescent limitations.
I fought bravely against the darkening forces shaping me,
but was laid low with the sizzling strike of a silver bolt of lightning,
my body then forged in the ruby red-hot fires of puberty.

As a young man, there came a day with you in it;
a dazzling star as yellow-bright and full of light –
your beauty washed over me, igniting my purpose,
I was blinded by the intensity and the nearness of you,
awakening within me the amazing brilliant white glow
of desire, love, and hope.

Eventually, the blue-black sheet of night
was pulled over me; the skies darkened a midnight onyx
leaving me lying in the cool-grey mist of the shadow of Death.
The lights dimmed as did my voice,
as the murky fingers of Death reached toward me.

I was immediately lifted up into a new beginning;
the soothing winds of forever washing over
the palette of my life
as once more my heels were dipped
into the forgiving green blades of grasses
of eternity’s meadow.

The Hopeless Longing of This Day


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Each night within my folded dreams
You come to me, or so it seems
My heart beats then a thousand times
In aching rhythm, in broken rhyme

But when the morning sun appears
Once more I’m bathed in lonely tears  

My thoughts of you will more than pay
The hopeless longing of this day
Come now, and let me dream it true
With sleep-clenched eyes I am with you 

You part my hair, and kiss my brow,
And say, Love, why sufferest thou?

Come to me in my dreams, and then
By day I shall be well again!  
My thoughts of you will more than pay
The hopeless longing of this day  

 

The Love I Once Had, And Lost


love-lost

I have no thought of future love –
That’s a bridge I’m not ready to cross…
I need time yet to heal
From the pain that I feel
For the love I once had…and lost.

It’s not that I don’t feel the need –
In truth, no need is greater;
But unless I survive
What I’m feeling inside
I’ll have no need for later.

Be patient with me, please understand –
I’m not a man who’s made of stone…
I’ll deal with tomorrow
When I’ve dealt with the sorrow
Of living today all alone.

I’m not giving up on the future –
I just have no time for the thought
Of loving again
While I’m still lost within
All the love I once had…and lost.

Behind Green Eyes: A Child of the Ozarks


Ozark Girl

Photo Credit: Jeff Jones, Photographer
(image of his daughter, Valerie)

Skin softly bleached like the Southern twilight
freckle-kissed face ‘neath the Ozark ‘s skylight
fire-red locks and curls tossed by stormy winds
Pa’s softly-pressed dimple upon her boyish chin

     Green eyes revealing her faded innocence
     a determined gaze, a child’s jaded reverence
     for a young life lived beneath the savage blows
     of poverty’s yoke, though no one knows
     for this girl who bravely looks right through you
     wears a forthright courage, honest and true

She rides a bitter storm that’s never-ending
twelve tender years in fields deep-bending
with calloused hands plucking earth’s creations
like her kinfolk have done for generations

     Laughing like a banshee, she dances in the rain
     holding back her tears as she swallows her pain
     A motherless child born to a colorless world 
     still she sings of a future, of hope yet unfurled
     she sings of the woods, and the trails, and the streams
     of infinite hope and impossible dreams

She could never be pressed to surrender this hour
‘neath the soft Ozark moonbeams that fill her with power
to endure what she must, though she’s only a child
under dark gathering clouds she stands there beguiled
filled with wonder and light behind a soft-freckled face
she presents to the world the persona of grace

Love in a Guayusa* Shop


(*)Guayusa an organic herb sustainably grown in the Amazon Rainforest by Ecuadorian families only available at GUNPOWDER (http://drinkgunpowder.com)

coffee

She’s not the kind of girl
men see across a smoky bar
and write songs about.
There is an uninviting sadness
in her dull blue eyes,
downward cast,
washing out the sparkle of
her tender youth.

Yet, we sit this soundless morning at
Gunpowder, the drone of Venice Beach
tourists muted by the intensity
of her faded beauty,
casting furtive glances above the
flipped lid of my computer –
sipping my guayusa latte,
drinking in the realness of her,
tasting the lukewarm resignation
that hangs upon her like a
torn burial shroud.

I am intoxicated by the way
she breathes slowly and with
lost purpose; how she twirls
a lock of her dishwater blond
hair with her forefinger,
the nail of which is bitten
to the quick.

Every few minutes she looks
off into the empty distance
a blank and distant stare –
perhaps daring to dream, broken,
of a life that might have been.

I know, in that way of knowing
the permeates you to the core,
that she has lived, and felt, and
loved, and lost, and somehow
found the strength within herself
to carry on.

I also know that I love her,
she who I do not know
and she who no longer loves
in return.

She’s not the kind of girl
men see across a smoky bar
and write songs about,
but she is the reason
poets anguish into the night
to capture the authenticity
of true love and broken dreams.

The Divine Tapestry of Life


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We are imperceptibly bound
by the common chords of our humanity;
colored threads weaving a rich tapestry
of shared experience.
Our similitude outshines our differences,
ineradicable and glistening;
certain and enduring
beneath a billowing canopy of endless possibility.

Not me, or you; not him or her, but all as one.

The fabric frays when we close our eyes
to the wonder and intensity of our diversity;
divisiveness and uncertainty pulls at the threads
which embroider the story of our divinity.

Our uniqueness as individuals only adds
to the richness of the fabric of humankind,
where rivers of color intertwine to form
delicate and stunning lines and patterns
– intricate and beautiful in their relations.

No stars hung in heaven shine more brightly,
shimmer more vibrantly,
or radiate more light
than when we embrace one another
as one and not the “other”.

Best In Morning


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I love you best in morning…

In that quiet hour
before the sun fully rises
and the shadows of the night
linger possessively;
as I lie motionless
beside you
watching
the seductive blush
of a new dawn
filtering slowly through
the frosted windowpane,
caressing you in those last
moments of sleep
with warm fingers of light.

It is in that
special time,
that magic time of morning
as I, too, caress you
with my eyes
and with my thoughts
that I love you
best

Cinco de Mayo by Lavelle M.


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Poet Lavelle Maddox
Inglewood, CA

As part of my commitment to bring new talent to my audience, it is with great pleasure that I feature an emerging poet, Lavelle M.  I recently heard Lavelle read the accompanying poem, “Cinco de Mayo” at an open podium, and while the piece entitled was somewhat dated, his mastery of research in composing this piece left a deep impression on me and I knew my fans would appreciate this new voice.  Lavelle writes in free verse here, bringing about a much needed historical correction to the myth of Mexican Independence Day.  For generations, this important feast day has been misrepresented and Lavelle gently lays down the bare bones of this date in history.

CINCO de MAYO

Cinco de Mayo means 5th of May
Not to be confused with Mexican Independence Day
But it’s a day we shall all remember
For the record, Mexican Independence is the 16th of September
This is a small dedication from me to you:

Cinco de Mayo started in 1862
During the Civil War, before Emancipation
The Mexican soldiers had a celebration;
Not for freedom, but for heritage and pride

By defeating the French on the far West Side
Blood was shed, lives were lost
By dead soldiers who paid the cost
Battle of Puebla is the name of the War
Too bad the French didn’t know what was in store

With war comes tragedy, death, and defeat
It’s when the strong survive and surpass the weak
For me, to be strong is something I seek.

Peace Through Art


1a

(Artwork by Mohammad Bin Lamin)

in quiet meditation,
let our consciousness guide us
upon the transcendental path
toward the glory of peace.

peace lies inside the throbbing heart of the earth,
inside the borders of nations, rich and poor;
inside its people, the living and the dead;

through our songs, our art, our poems,
our photographs, our dance, our creative imaginings
(men die miserably every day for the lack thereof)
our inspiration echoes the soul of heaven.

through art, we stimulate and illuminate our minds;
through our imaginations and our creations
we envision peace and increase
our courage, our hope, our enduring love –
which is the potential of every living soul.

without art, we are forever locked in the dialogue of illness
of suffering, of orphans crying, of death ,and of dying –
whether or not we are talking about it.
we remain caught in an entangled web of pain.

are we not yet tired
of having died in so many times in so many ways?
are we not tired of dying, dying again and again…?

Another Poem for Another School Rampage


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Out of respect for the newly dead
just for today, let our tongues be silent.
Speak not of gun control.
Let us, as a nation, grieve in silent outrage
for our dead, and for our surviving children
who shall forevermore carry memories
of fearful moments, in noiseless horror,
corner cuddled, hearts throbbing;
waiting for Death’s cold hand
to pierce their tender hearts.

Let us speak of senseless, repetitious horror
that might well have been averted
had we all been willing, even once
to dream beyond heroic violence
to the far more challenging, more
courageous, more inspiring vision
of heroic peace.

With compassion for the victims and their
grieving families, both slain and slayer.
Let us not speak of mental health
nor seek to soothe the conscience
of a country with simplistic categories –
good guys, bad guys, innocent and guilty.

But let us not lose to shades of gray
our mindfulness that ours is a culture closed
to those who most need help;
who least are able to afford much-
needed meds, who cry and stamp and tantrum!

Now is not the moment for convenient blame,
for those who we cast out and tell they can’t
be saved return, who in blazing rage
to inhabit the darkest shadows,
and all the rest the pious light.

Out of respect for tradition
let us not speak of change.
Out of respect for the dead
let us all still our tongues.
Out of respect for the past
let us never speak of the future.
Out of respect for the wealthy
let us not speak of the poor.
Out of respect for the poor
let us not speak of the economy.
Out of respect for the worker
let us not speak of unions.

Truth be told, I am out of respect.

My Book Now Available on Amazon.com: The Winter Bites My Bones: New and Collected Poems, 1980-2013


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On sale for a limited time….

The Winter Bites My Bones

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Well, it’s finally here.  For those of you who have been following my work, my first book is now available on Amazon via this link:  Thank you for your patronage and I look forward to writing for you for years to come.  ~ Dennis

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Best In Morning


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I love you best in morning…
In that quiet hour
before the sun fully rises
and the shadows of the night
linger possessively;
as I lie motionless
beside you
watching
the seductive blush
of a new dawn
filtering slowly through
the frosted windowpane,
caressing you in those last
moments of sleep
with warm fingers of light.
It is in that
special time,
that magic time of morning
as I, too, caress you
with my eyes
and with my thoughts
that I love you
best

 

The World Remembers Delaney Ann Brown


 DELANEY “LANEY” ANN BROWN

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We have all been following the courageous battle of Laney and her family this past month, and are deeply saddened to learn that this precious young child was called home to heaven this Christmas Day, 2013.

“December 25, 2013– on this chilled and grief-filled date, the gates of Heaven were flung wide open
as God embraced Delaney Ann Brown and welcomed her home again.”

The sun arose this winter day –
Across the world the children played.
Homes echoing with carefree glee,
As Christmas day was meant to be.
Each parent dreams of such a vision –
‘Til life injects its cruel revision.

Yet, like a child’s lost innocence,
Cherished and held in reverence –
In just one moment swept away
No sympathy for child’s play.
Into her life a darkness came;
Into our own, an infinite pain.

Our hearts now filled with an empty space –
of sweet Laney and her joy-filled face!
Malevolence came and stole her future,
A wound too big for mending sutures.
We heard the sounds of angels cry –
The day we watched this child die.

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We swallow hard; prayed harder still –
Our heartbeats faltered against our will.
The deafening blast of pure insanity
We’ve lost the best of our humanity!
A nation mourns with silent tongues
The senseless death of she so young.

The doctors did their very best –
Nurses offered up their loving breast
To shield from cancer’s savage blow –
To buy this young one time to grow.
But she slipped away, lest we forget…
Upon her memory, no sun will set.

Sweet Laney lost and taken away
Beneath the sun of Christmas day.
We are lost within an anguished grief,
As even celestial angels weep.

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Impeccant cherub laid to rest;
God took from us our very best.
The loss we feel is real and deep,
The pain forever ours to keep.
No answers to the question, “Why?”
Our babies were not meant to die.

So, brush away our tortured tears;
this truth is too demanding,
and whisper in our silent ears
some prayer of understanding.
Laney’s star now shines above,
Eternal bright and beaming love.

The Lantern


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Do you see that lantern on the mantle?
Its light has shined on three generations of this family.

My grandfather learned to read under the tutelage of its glow.
He wrote love letters to my grandmother in verse reflecting
The warmth gathered from its flickering beam.

My mother found her way home through lost woods
To the waiting arms of my Dad,
And on the night I was conceived, it lent its sexuality.

Bright and slightly hesitant, still burn brightly
The night I was born, weaving moonbeams
Linking silver threads through the tapestry of our lives;
Illuminating my path through the years,

It has lit my tears and calmed my fears;
Beneath its flame we all found ways to heal
To bind up old wounds; to celebrate new beginnings,
While keeping vigil as loved ones passed away

One day I’ll pass it down to my children
Now crawling on the ground
And in its light they’ll learn to see within themselves,
Beyond themselves

I take it down and light it it’s blackened wick
Whenever I am consumed by darkness;
It watches over me and comforts me;

It reminds me that there are so many ways
To become illuminated

 

Merry Christmas to All of My Faithful Readers


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Two things upon this changing earth can neither change nor end; the splendor of these few holiday hours, the love of friend for friend. Merry Christmas to all of you.  You’ve enriched my life with your presence!  2014 – Bring it on!

 

Opposite Sides of the Same Pain


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A Sunni mother silently watches:
overhead, a gathering of scavenging ravens
paints the dusky sky above
the broken bodies of her three children.
Bewilderment mixed with horror and beauty,
accented by the pebbles beneath her feet,
polished smooth by a flood of tears.
An acrid wind swirls
with scattered hope and broken dreams;
confetti raining on freshly scorched earth.
Another womb is rent in unbearable grief
at the loss of its precious fruit.

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In that very moment, across the sea,
a Haitian waif reflects:
A flock of seagulls angrily position
above the ghetto garbage heap
next to a crumbling shanty
where her newborn triplets scream with hunger.
Bewilderment mixed
with horror and beauty,
the waste beneath her feet glistens
with the flood of her tears.
The stench of rotting wind swirls
with scattered hope and broken dreams;
flies rising up from quaked earth.
Another womb is rent in unbearable grief
at the bounty of its damnable fruit.

 

Ocean Walk


 

Silver threads woven through midnight skies –
Shooting stars as the white crane flies!
Cool autumn winds and the moon’s reflection;
Shallow tide pools inviting full inspection.

The ocean roars and rolls cascading,
White foam shorelines, slowly fading.
Footprints, mine, wet and dissolving –
Deep in thought, me, a life evolving.

Have I lived the life I was meant to live?
Did I take what was offered, did I offer to give?
Have I fought for the causes that helped to free men,
Or did I justify excuses time and again?

Did I love to my fullest, did I offer my heart?
Did I honor my word, or just play the part?
Have I sacrificed joy for immediate thrills?
Was I too vain, or humble, did I help to cure ills?

Did I live a life worthy, will others be proud,
Will I be buried alone or there with the crowd?
All these and more are the questions I pose.
These really aren’t mysteries for me to suppose!

The Sun now is rising, with fingers of light –
The end of reflection, the end of the night.
I turn with my back to the blue ocean swell;
I’ve too few answers, and that’s just as well.

Life is for living, and there is no exception –
We aren’t meant to dwell in such introspection!
The truth is unfolding, and this much is true;
I’ve plenty days left, and too much to do.

Surrender to a Better Cause


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What we have in common
stretches beyond our mortal shell;
If I have a kidney, it is yours
I have two – take one, and live.
If I die, my eyes are yours – see for me.
My heart is yours for the beating –
My lungs breathe for you; they no longer sustain me.
All that I am is yours.
Let me be folded into your chest.

Let my sacrifice be worthy of your hope.