Blue No. 1

ILLUMINATION


(Dedicated to Jules)

We always sleep with curtains drawn,
in the soft blue light of morning,
I rise and pull the black velvet tight.

 You stirred, half-asleep in a pool of desire 
then stretched your hand back to my thigh 
our bed a ship in sleep’s doubled plunging 
 
wave upon wave, until as though a lighthouse
      beam had crossed the room: the vase between
 
the windows suddenly ablaze, a spirit,
        seized, inside its amethyst blue gaze.  
 
What’s that? you whisper. A slip of light, untamed,
       had turned the vase into a crystal ball,
 
whose blue eye looked back at us, amazed, two
       sleepers startled in each other’s arms,
     
while day lapped at night’s extinguished edge,
            adrift between the past and future tense,
 
        a blue moon for an instant caught in its chipped
                 sapphire—love enduring, give or take.
Lovers in Flames

YOUR BURNING LOVE by D.L. McHale


How long will love be kept waiting,
our trembling hearts anticipating,
yearning reflected in half-closed eyes,
eschewing sleep where passion lies,
with spoken words clearly stating –
how long will love be kept waiting?

For love is purely mesmerizing
tightly embrace as the sun is rising,
come fill this Pagan’s heart with joy,
for daylight brings my heart’s envoy
in nature’s work there’s no disguising,
something purely mesmerizing.

Your burning love makes shadows bright,
and carries us through to dawn’s first light,
dancing circles turn around,
feeling the Earth’s beat underground
on this blessed day of shortest night,
the sweetest love makes shadows bright

IT IS THE SEASON by D.L.McHale


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“God talks in the trees.”
— Thomas Merton, The Sign of Jonas

It is the season of sleeping late 
while dreaming of red-orange trees 
shuddering in the evening breeze. 
These are the short days
when the thirst for warmth suborns desire 
and Eros kisses summer love goodnight.

It is the season of crimson sunsets 
pouring slowly, like thick molasses, 
over church steeples and frozen riverbeds. 
When snow-pregnant clouds float lazily 
across flower-less meadows
and lovers seek shelter beneath heavy quilts.

It is the season of naked trees, 
with branches like fingers extending 
toward the setting sun, tracing delicate arches 
across the rose autumn sky.
Those days when the blackbird flies southward
into the night beneath crystal constellations.

It is the season of surrender, 
when burdens, like the yellowing leaves, 
fall silently to the frozen earth
and tired bones warm themselves before tended fires.
It is the season of dying in the palm of God’s hand;
comforted in the knowledge of spring’s resurrection.

THE RED SKIRT by D.L.McHale


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You laid your plaited red skirt
on the foot of my bed,
neatly folded as though
in doing so you could somehow
retain your virtue.

In the midst of our fleshy thrashing,
I kicked it to the floor, and you began
to cry, deep sobs that rattled
the mattress springs.

I moved, too reluctantly, to retrieve it
but you said, “Why bother?
You’ve ruined it.
You’ve ruined me.
You’ve ruined everything!”

Making love doesn’t always
mean making sense,
and so I threw my feet to the floor,
pulled on my jeans, and looked back,
although I would never be able to see.

“So that’s it?” you sobbed.
“You bastard!”

I smiled in affirmation, buttoned my shirt,
and turned toward the door,
and as an afterthought, picked up
your once plaited red skirt, tossed it
carelessly over my shoulder,

and left.

BE STILL, MY LOVE… by D.L.McHale


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Be still my love.

Shhhh…
There now, can you hear it?

Quietly,
within the shadows
of our mingled selves,
softly rising upon
the rhythms of our breath.

Rest now,
sweet angel of love.
Lie spent upon my breast
and listen;
surrender to the
symphony of our souls.

Feel your senses
dancing
to the chords
of desire’s keyboard;
delicate fingers
upon colored notes
within the crimson chambers
of our dream-soaked hearts.

Hear the song
echoing;
muted passion sirens
lilting lightly across
the dim-lit chasms
of our melded minds;
musical interludes
conducted
in sigh-minor.

See the trees
swaying;
laughing willows of lust
sweeping low over
our embrace;
bending sensuously to us
in morning’s whispered light.

Taste the waters
flowing;
melting fantasies
washing over our
quenched, naked forms,
cascading into deep pools
of ecstasy.

Smell the fragrance
rising;
desires fully blossomed
with petals of relief
falling, simply drifting
from the branches
or our love.

Touch the ribbons
floating;
colors blending
behind love-clenched eyelids;
blinding pastel visions,
stretching, softly binding
soul to soul in evening’s brief rapture.

Sleep deep, my love.

Carry this lullaby
into your hazy slumber,
and rest.

In the cool, gray light of morning
we will write another.

PROMISES by D.L.McHale


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You ask if love’s forever –
A promise I can’t make,
But if I could, or thought I should
I would not hesitate.

I’d promise you forever
And then a day or two
If I were free to guarantee
Forever loving you.

But promises are born of doubt
A doubt that’s seldom real;
The love we know can only grow
In trusting what we feel.
 
Yet, I’ll promise you this moment
If words can still your fears;
Just hold me now and show me how
To love you through the years.

 

Angels and Demons: An Affirmation of One Woman’s Life by D.L. McHale


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"Woman Reflecting" (charcoal and ink) Dennis McHale, 2015©

There is much power and beauty in her world, yet her soul is divided into two houses:

One is spare and darkly decadent, surrounded by high windowless walls; there is very little color to break the monotony, and its gate is usually locked.

This house is full of decaying art – the crudely painted memories left by people who felt their life had been changed by divine intervention, offering eternal love for her with promises that were falsely laid.

II.
The other house is rich in colour, its thick outside walls washed in strong blues and reds.

In this house, the gate is flung wide open, and on the patio outside there are clay pots and plates all decorated in a kalidescope of vibrant, living colours.

Inside is a tiny virginal bed with a mirror above it reflecting back the inconsistent themes of her life.

III.
She wears her silken hair in ebony rivulets cascading in loose waterfalls down her gently curving back; she takes great pride in the delicate scar across her upper lip, a reminder of the evil that dwells in the angry guts of jealous men.

Her clothing echoes her hair – she dresses in embroidered shirts and wide floor-length flowing skirts, swirling in the warm summer winds of her womanhood.

All of this colour and dynamism reflect her conflicted character; the turbulent and contradictory life she lives.  Her own story is both tragic and uplifting; the essence of her more provocative, daring and strange spirit.

Indeed, in some ways the dichotomy of her life are chapters in a long autobiography, paralleled and matched by her inner angels and demons.

This internal schizm is refracted through the broken shards of a glass imagination, a constant yearning to fill the void within her. And in that complex yearning, another looming presence which was impossible to escape.

IV.
Her secret love, her one true love, is a huge man who looks even more enormous beside her diminutive body. He is a constant (but not faithful) companion.  She both loves and loathes him, in constant and equal measure.

The relationship between the two is fraught with conflict and anger. So it might be strange to see the two lace cloths embroidered with their names lying across the pillows of her bed.

There is in her life a curious blend of love, betrayal, hope, and long-sufferring sentimentality coupled with a harsh frankness about herself – a combination that seduces many people – not only him.

V.
Each night, she gently and quietly untangles herself from his sleeping embrace and makes her way by moonlight to her gray, colorless house with the locked gate.

She indulges in intense relationships with faceless women and men, offering her backside to conventional morality. But in the cool grey light of morning, she folds herself once more into the warmth and safety of his arms.

This constant terrible pain is a permanent feature of her life, yet it does not restrain her. In some ways it makes her wilder and more uninhibited. For much of what compels her life is about pain, and the terrible fragility of her body compared with the resolution of her mind.

Each day she deals most explicitly with the paradox of excruciating joy and exquisite pain.

VI.
Her alter egos are attached by fragile vessels which are not easily cut – hence the bloodstained scissors resting on her white dress. The lush landscape of her dreams seem inaccessible because of the thorny brambles around her neck.

While she might appear, with her beautiful traditional dresses and her tiny broken body, like the ‘perfect doll’ that all men and certain women desire, she is nonetheless fulfilled in her own right, and pursues sexual fulfilment and monogamous peace with equal fervor.

A ribbon around a bombshell.

She is inexplicably wrapped in endless  layers of the full spectrum of human experience and the unbidden possibilities in human understanding.

She senses affirmation in the enormous potentiality of both houses and the unique power of being a woman once freed from constraint.

She is fighting a revolution within herself.

VII.
Hers is a life of two-way narratives. Of unimaginable passions and failed restraint. An existence made all the worse by sadness, distress and a brutal sense of betrayal. Made all the better by the wanton surrender to the possibilities and potential of a woman’s body.

This is the permanent consequence of her life. Yet the often violent and disturbing intersection of her two houses within her soul provide ironic affirmations of life; there is beauty in both, not only in the qualities of conventionality, but in the power and strength of the life itself.

She is full of curses and imprecations interwoven with lyrical images and fragments of poetry. Her dualism defies fatalism with their colours, their endlessly surprising meetings of image and meaning, their powerful assertions of her womanhood.

VIII.
She is both madonna and whore, and she is perfect in her imperection.

Full of hurt and pain and yet equally bursting with life, defiance, and rebellion.

She is an ever-evolving act of defiance, a challenge, a continuing affirmation of life itself.